The Book Someone Will Give
Samantha Ellis grew up hearing fragments of Judeo-Iraqi Arabic — phrases her mother and grandmother had carried out of Baghdad, words for warding off the evil eye, for greeting a guest, for the particular way of saying goodbye. Now Ellis worries her son may not carry them at all. The language is nearly extinct. She may be among the last in her family who knows even the pieces she knows.
Always Carry Salt: A Memoir of Preserving Language and Culture (Pegasus Books, January 6, 2026) follows Ellis from the British Museum to the banks of the Tigris as she asks a question every family eventually faces: what do you hand down, and what do you let go? The recipes. The music. The way of saying goodbye in a language the world has almost finished forgetting.
For someone whose family has carried a language, a recipe, or a tradition across generations, this book might be a particularly meaningful gift. The giver may recognize a family story in Ellis’s story.
Charles Dickens wrote A Christmas Carol in six weeks in 1843 — driven by his concern for the destitute children he had seen in London, and by a desire for a commercially successful book. He supervised every detail of its production: red cloth cover, gilt lettering, hand-colored illustrations. He priced it at five shillings and aimed it at a holiday audience. It went on sale December 19 and sold out before Christmas. Dickens thought carefully about who the book was for, how it should look, and how to get it to them. A book with a purpose and a reader in mind.
The Power of Authors points here. A gift buyer is not looking for a book. They are looking for the person they love in a book’s description.
When someone considers your memoir about growing up in Alaska, they are not thinking about Alaska. They are thinking about a grandparent who grew up there and never talks about it. When someone finds your book about a fishing camp or a family homestead or a town no one has written about before, they are thinking about the cousin or the parent or the child who has been asking questions no one has answered.
Help them see the person. Not “this is a book about family and loss” — but “this is the book for someone who has been carrying a story they never wrote down.” Not “this is a memoir about Alaska” — but “this is the book for someone who grew up somewhere before it changed, and has always wanted to go back.”
The gift buyer needs to see the recipient in the description.
Somewhere this December, someone may open your book and find a story reminding them of a place, a person, or a part of their own life they believed no one else had seen. You cannot arrange for this moment. But you can make the book available, describe it truthfully, and help the person choosing the gift recognize whom it might be for.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.


















A few years ago, I met an author at a conference in Anchorage. She had a fine book — a memoir about commercial fishing on Kodiak Island. The writing was strong. The cover was right. The book was selling.
Every conference panel, every marketing article, every social media expert adds another item to the author’s list of things they should be doing. The list grows. The author’s time does not.
She follows the music.
Bill Cox never shouts. He does not chase trends or controversy. His voice — steady, thoughtful, and honest — cuts through noise with clarity and conviction. My Pursuit of the Axis of Evil is about people — a lifetime of encounters across Siberia, Southeast Asia, India, and Alaska. He writes from the road, the sky, and the heart.
Last Thursday, the Swedish Academy announced the Nobel Prize in Literature for 2026.
When Josh Verhagen created Eddie the Ermine, he understood something most authors miss. The illustrations in his book do not decorate the story. They teach. Every page invites interaction. Hidden animals draw young readers deeper into the images. The visual experience is inseparable from the message.
Three years after his wife’s death, Wolo receives a letter.
You will hear this advice: create a Facebook Page for your book.
She was a conservatory student — the kind of student who doesn’t just play but feels music as something larger than technique. Then a relationship ended badly. A choice was made young. She became Livia Cable instead, living quietly in farm country, having traded the conservatory for stability and the passion for something more manageable.
For every post asking readers to buy the book, share three giving them a reason to stay.
When I first met Weston Fields, he looked every bit the Kodiak fisherman — rubber boots, suspenders, wool shirt. He was there to support his mother, who had written a book about ranching history on the island. She spoke first. He said almost nothing. When he finally did, it was to tell me — gently — he had already edited her manuscript.
It is the summer of 1951. London is still pockmarked with bomb sites. Food is still rationed. Men who survived the Burma Railway, the North Atlantic convoys, the firebombing of cities have come home to a country worn to nothing by six years of war and five more of austerity. The war ended in 1945. The damage did not.
Robin Barefield lives in the wilderness on Kodiak Island, where she and her husband own a remote lodge. She wrote her first novel, Murder Over Kodiak, powered by a generator, miles from the nearest road. No MFA. No publishing connections. No high-speed internet.
A reader once walked into a bookstore and said, “I’m looking for a mystery set in Alaska.” The bookseller reached for a shelf and handed her a book.
The ceremony is the same every year. The names are the same. The readers change — grown children now where small children once stood, grandchildren where children once stood. The memorial pools fill the footprints of the towers. The water falls continuously.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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ReadAlaska 2014
Readerlink and Book Signings
2014 Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
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When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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