The Builders and the Built
By: Teresa Nikas
From the fictional town of Cedar Valley, where characters from Quiet Echo continue to respond to real-world events.
Time magazine has named its 2025 Person of the Year, and for the first time, it isn’t a person at all—it’s a category: “The Architects of AI.”
The editors explained that artificial intelligence has “roared into view” this year, and that there is now “no turning back or opting out.” That phrase has been sitting with me all morning. No turning back. No opting out. These are the words we use for floods and avalanches—forces of nature that sweep through whether we’re ready or not. Is that really how we want to describe something we built ourselves?
The cover story marveled at AI tools that can now write 90% of their own code, solve math problems unsolved for thirty years, perhaps even let us communicate with whales. These are astonishing achievements. But achievements toward what end? The same week, Disney announced a billion-dollar deal to license its characters to OpenAI’s video tool. Soon, anyone can generate films featuring Mickey Mouse or Elsa doing whatever they imagine. The company called it “a watershed moment.” A watershed for what?
When I was a girl, my grandmother told me stories. She didn’t read them from a book—she made them up, drawing on her own life and the people she’d known. Those stories were imperfect, sometimes rambling. But they were hers. They carried her voice, her values, her way of seeing the world. They were a gift she could give precisely because they cost her something to create.
I wonder what we lose when creation costs us nothing.
The engineers building these systems are brilliant. But brilliance isn’t the same as wisdom, and talent isn’t the same as discernment. You can be extraordinarily good at building something without ever asking whether it should be built, or how, or for whom.
So here are the questions I find myself asking—not to condemn, but to reflect:
When we celebrate “the architects of AI,” are we celebrating the building, or have we paused to examine the blueprint?
When a technology arrives with “no opting out,” who decided that?
When machines can generate stories and ideas faster than humans ever could, what happens to the human impulse to create?
And perhaps most importantly: In our rush to build thinking machines, have we spent enough time thinking about what makes human thinking worth preserving?
Time magazine says there’s no turning back. Maybe so. But there’s still time to ask where we’re headed. My grandmother’s stories weren’t efficient. They didn’t scale. But they were human in a way that mattered—imperfect, particular, and given freely from one generation to the next.
I hope we remember what that’s worth.
This editorial is part of the fictional Cedar Valley News series. While the people and town are fictional, the national events they reflect on are real.
It’s free, live, and fresh! Quiet Echo—A Cedar Valley News Podcast is live on Apple Podcasts: https://bit.ly/4nV8XsE, Spotify: https://bit.ly/4hdNHfX, YouTube: https://bit.ly/48Zfu1g , and Podcastle: https://bit.ly/4pYRstE. Every day, you can hear Cedar Valley’s editorials read aloud by the voices you’ve come to know—warm, steady, and rooted in the values we share. Step into the rhythm of our town, one short reflection at a time. Wherever you listen, you’ll feel right at home. Presented by the Publication Consultants: https://publicationconsultants.com/

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Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

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