Have you ever felt the weight of writer’s block pressing down on you, clouding your thoughts and tangling your words? You’re not alone. Many writers experience this challenge, but the key to breaking free may already be within your grasp. Let’s explore three ways to read as a writer that can help overcome Writer’s block:
- The Good, The Bad, The Ugly
 
Embrace a broad spectrum of literature. Study the books you adore and those you do not enjoy. Reflect on your reaction. Was it the style, the characters, or the plot stirring your emotions? Understanding these nuances can sharpen your writing tools. For example, when reading Pride and Prejudice by Jane Austen, you might find yourself captivated by the wit and depth of character development. Conversely, you might struggle through a less engaging book, but even that experience offers valuable insights. What made it less appealing? Was it the pacing, the predictability of the plot, or perhaps the lack of relatable characters? Good or bad, each book becomes a classroom, teaching what resonates with readers and what falls flat.
- Keep a Pen and a Sharp Mind
 
Grab a notebook if you’re reluctant to write in the margins of your books. Document phrases that resonate with you pinpoint story twists or identify the moments your interest waned. Making notes on the characters, especially the main character, can offer insights into solid character development. Take The Great Gatsby by F. Scott Fitzgerald. Jotting down notes on Gatsby’s enigmatic nature or Daisy’s conflicted emotions can illuminate how Fitzgerald builds complex, unforgettable characters. This method allows you to engage actively with the text, transforming passive reading into a dynamic, insightful exercise. Over time, these notes become a treasure trove of writing techniques and character archetypes.
- Color Codes
 
Arm yourself with colored highlighters and dissect a novel. Assign each color a theme—plot, character, dialogue. This method will reveal the intricate ways authors construct their narratives, providing you with a visual blueprint for writing. Imagine breaking down To Kill a Mockingbird by Harper Lee with this approach. Highlighting Scout’s narrative in one color, Atticus’s moral lessons in another, and the unfolding plot in yet another, you begin to see how these elements weave together to create a powerful story. This visual dissection can uncover patterns and structures that aren’t immediately apparent, giving you a clearer understanding of narrative craftsmanship.
Each book you read holds a lesson, a secret that can aid in honing your craft. As you explore these methods, you’ll find inspiration and develop a toolkit to navigate and dismantle writer’s block. The sensory richness of your environment while reading—whether it’s the quiet hum of a coffee shop or the serene ambiance of a library—can also influence your engagement with the text. Authentic interactions with other readers, sharing insights, and discussing different interpretations further enrich your understanding.
Moreover, the underlying emotional currents that flow through your reading experience, the subtle humor in a character’s dialogue, or the irony in a plot twist add layers to your comprehension and, ultimately, your writing. Balancing description with action and reflection with momentum, much like a well-paced narrative, invites deeper engagement with the events and their implications.
In conclusion, reading as a writer is not just about enjoying a good story. It’s about dissecting the elements that make it compelling, understanding the techniques that elicit emotions, and using those insights to enhance your writing. By embracing a diverse range of literature, keeping detailed notes, and employing color-coded analysis, you arm yourself with the tools needed to break through Writer’s block and elevate your craft. As you delve into these practices, remember that each book is a stepping stone, guiding you toward becoming a more skilled and insightful writer.
Evan Swensen
8370 Eleusis Drive
Anchorage, Alaska 99502
(907) 349-2424
evan@publicationconsultants.com
We Don’t Want to Write the Laws; We Want to Publish the Books
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Bringing Your Book to Market Short Video: https://bit.ly/3Q3g2JD
          
															
 
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The  Great Alaska Book Fair: October 8, 2016


Costco  Book Signings
eBook Cards

Benjamin  Franklin Award
Jim  Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



The  Lyin Kings: The Wannabe World Leaders
Time and Tide


ReadAlaska  2014
Readerlink  and Book Signings
2014  Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
Rick Mystrom Radio Interview
When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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Seven Things I Learned From a Foreign Email
2014 Spirit of Youth Awards
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Don and Lanna Langdok
Ron Walden
Book  Signings Are Fun
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Erin’s book, 
Heather’s book, 
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