A reader gives you ten seconds.
Maybe less. They pick up the book, read the first line, then the second. Somewhere before the bottom of page one, they decide — keep reading or walk away.
Every author knows this. Most respond with panic.
The advice comes from every direction. Hook the reader. Start with a bang. Drop the reader into action before they know a single character’s name. Open with a shocking statement, a mystery, a question designed to manufacture suspense.
I’ve been reading first pages for over forty years. I’ve read thousands of them — submitted manuscripts, published books, drafts handed to me at conferences, and across kitchen tables. The openings built on tricks rarely hold. The ones built on purpose almost always do.
The difference is not craft. The difference is conviction.
When a writer knows why the book exists — not just what happens in it, but why it matters — the opening carries weight no technique can manufacture. The reader feels it the way you feel gravity. You can’t see it. You can’t name it in the moment. You simply know something is holding you to the page.
Cleverness does the opposite. A clever opening announces itself. It says, “Look at me.” The reader looks, admires for a moment, and moves on. Nothing underneath the surface asked them to stay. Cleverness impresses. Purpose connects. Readers don’t stay for what impresses them. They stay for what moves them.
Think about the books you’ve never forgotten. The first pages didn’t shout. They whispered something true. They offered a voice so honest you leaned in closer, the way you lean toward someone at a kitchen table who’s about to tell you something real. You didn’t analyze why you kept reading. You just kept reading. The author earned your trust before you realized trust was being asked for.
This is what purpose does on a first page. It tells the reader three things before they reach page two. First, this author knows why this story exists. Second, this story has something to offer me. Third, I am in trustworthy hands.
No formula delivers all three. Only clarity does.
I see the same pattern in manuscripts across every genre. The authors who struggle most with openings are not the ones who lack skill. They are the ones who haven’t settled the question of why. They know their subject. They know their characters. They’ve outlined, researched, and revised. But they skipped the deeper work — the work of understanding what their book is for and who it is for.
Once a writer answers those questions honestly, the opening almost writes itself. Not because it becomes easy, but because the writer finally knows where to stand. A first page written from a place of purpose doesn’t need to perform. It simply needs to be true.
The opposite is also real. When purpose is missing, no amount of revision fixes the opening. Writers polish sentences, rearrange paragraphs, experiment with timelines — and the page still feels hollow. The problem was never the words. The problem was upstream.
If your opening feels forced, stop revising it. Go back to the reason you started writing. Sit with it. Ask yourself what you want the reader to feel — not think, not do, but feel — when they reach the bottom of page one. Let the answer settle. Then write from inside it.
Writers spend months revising openings when they could spend an afternoon rediscovering purpose. The revision follows naturally once the foundation is honest.
Every book makes a promise on its first page. A promise about what kind of experience the reader is entering. A promise about the voice guiding them. A promise about whether the journey will be worth their time.
The strongest promises come from writers who know what their words are for.
Your first page is a promise. Make it one worth keeping.
The Power of Authors by Evan and Lois Swensen explores what it means to write with purpose — and why clarity of conviction matters more than cleverness on every page, starting with the first.
The book is available on Amazon: http://bit.ly/3K6o8AM. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
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The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
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Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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