“Writers should never be too respectable; I think it may be their undoing.” Sherwood Anderson’s words cut straight to the heart of what it means to write authentically. To him, respectability wasn’t a virtue but a trap, luring writers into conformity and away from the raw honesty that makes literature resonate. Anderson’s boldness redefined storytelling, paving the way for modernist literature and leaving a legacy that continues to inspire writers today.
In 1912, Sherwood Anderson made a decision that would baffle his neighbors and shock his peers. He walked away from his life in Elyria, Ohio—his stable job as a paint manufacturer, his family, and the expectations society had placed on him. He didn’t do it out of irresponsibility or neglect but because he couldn’t continue to live a life that stifled his creativity. This bold move wasn’t easy. It required courage and a willingness to be misunderstood.
That leap into the unknown gave birth to Winesburg, Ohio, a masterpiece exploring small-town life’s quiet frustrations and secret hopes. Anderson’s characters weren’t respectable—they were flawed, raw, and deeply human. His stories reminded readers that beneath the surface of every person lies a world of unspoken struggles and dreams. Anderson’s decision to abandon respectability wasn’t just personal; it became the foundation of his literary voice.
Sherwood Anderson’s influence wasn’t confined to his own writing. He believed in the power of unvarnished truth so much that he encouraged others to embrace it, too. Two of his most famous proteges, William Faulkner and Ernest Hemingway, owe much of their success to his guidance.
Anderson didn’t just praise Faulkner’s talent—he gave him practical advice that reshaped his career. He urged Faulkner to draw from his Southern roots, resulting in iconic works like The Sound and the Fury. With Hemingway, Anderson emphasized the beauty of simplicity and brevity, planting seeds for the concise, impactful style Hemingway became known for.
These relationships reveal Anderson’s generosity and commitment to fostering authenticity in others. Though Hemingway later critiqued Anderson, the lessons he learned from their early connection are evident in his work. Anderson’s influence rippled through literature, shaping a generation of writers who dared to tell the truth, even when it wasn’t pretty.
Sherwood Anderson didn’t write to please. He wrote to reveal. At a time when literature often romanticized rural life, Anderson peeled back the facade. In Winesburg, Ohio, he exposed the frustrations, loneliness, and desires that simmered beneath small-town America’s surface. His stories resonated with readers who saw themselves in his characters—imperfect, striving, and profoundly human.
Anderson’s work wasn’t just a literary innovation; it was a cultural shift. By rejecting respectability, he permitted writers to tackle uncomfortable truths. His influence extended to societal attitudes, encouraging a more honest exploration of the human experience. Later writers, like John Steinbeck with The Grapes of Wrath, built on Anderson’s foundation, using storytelling to challenge social norms and highlight systemic struggles.
Sherwood Anderson’s legacy endures because he refused to conform. His belief that “writers should never be too respectable” is a challenge and a gift—a reminder that authenticity, not approval, is the heart of great writing. His stories taught us to see beauty in imperfection and value in vulnerability, leaving a literary inheritance that continues to inspire.
Pick up Winesburg, Ohio, and immerse yourself in Sherwood Anderson’s unapologetic portrayal of humanity. His example encourages you to write boldly, speak truthfully, and embrace the unpolished edges that make your voice uniquely yours. Use your words to make a difference, even if it means stepping beyond respectability.
By joining Readers and Writers Book Club, you’re not just discovering great books—you’re helping authors create life-changing stories. Join today and be part of something meaningful.
We Don’t Want to Write the Laws; We Want to Publish the Books
Publication Consultants: The Synonym for Book Publishing—https://publicationconsultants.com

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



The Lyin Kings: The Wannabe World Leaders
Time and Tide


ReadAlaska 2014
Readerlink and Book Signings
2014 Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
Rick Mystrom Radio Interview
When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
More NetGalley
Mary Ann Poll
Bumppo
Computer Spell Checkers
Seven Things I Learned From a Foreign Email
2014 Spirit of Youth Awards
Book Signings


Blog Talk Radio
Publication Consultants Blog
Book Signings



Don and Lanna Langdok
Ron Walden
Book Signings Are Fun
Release Party Video
Erin’s book,
Heather’s book,
New Books