If you’re a new author, I’m almost positive somewhere along the publishing process, you’re asking, “Should I go with a traditional publisher or publish the book myself?”
It sounds like a business question, but it’s really about trust—trust in yourself, your work, and the people you invite to carry it into the world.
I’ve walked both sides of that road. I’ve seen authors thrilled when a traditional publisher accepted their manuscript, and others who spent years waiting for that same call that never came. I’ve also seen the quiet satisfaction of authors who took the reins themselves, publishing their stories independently, owning every success and every mistake. Both paths work. Both come with a cost.
Traditional publishing offers validation. Someone with industry experience reads your work, believes in it, and invests resources to print, distribute, and promote it. There’s comfort in knowing professionals stand behind your book. But that comfort often comes with trade-offs—creative control, royalties, and time. A traditionally published author may earn a smaller percentage per book and wait months or years for release. Edits, covers, titles—decisions once yours—become committee conversations.
Self-publishing, on the other hand, demands courage and commitment. You become the writer, the investor, and, to a large extent, the marketer. You decide when your book launches, what it looks like, and how it reaches readers. There’s freedom in that, but also responsibility. When a reader finds an error, there’s no one else to blame. When your book touches someone deeply, there’s no one else to thank.
In truth, the difference between the two paths isn’t only about contracts or distribution—it’s about ownership of vision. Traditional publishing trusts a system. Self-publishing trusts a person.
For years, I believed the two worlds were opposites. But working with hundreds of authors has taught me they overlap more than they diverge. A good traditional publisher should act as a partner, not a gatekeeper. A wise self-publisher surrounds themselves with editors, designers, and mentors who bring professional standards to their personal work. The healthiest books, regardless of who publishes them, emerge from collaboration rooted in mutual respect.
At Publication Consultants, I’ve seen authors move between the two models. Some begin with self-publishing, prove their audience, and attract traditional contracts later. Others start traditionally, only to realize their next story needs the independence of self-publication. One isn’t superior to the other. They simply answer different needs at different times in an author’s life.
The real danger comes when writers chase prestige instead of purpose. A contract doesn’t guarantee fulfillment any more than independence guarantees success. What matters is whether your chosen path serves your book’s mission—and your readers.
Every author must ask: “What do I want my words to do in the world?” If your goal is wide exposure, distribution, and media visibility, traditional publishing may open doors faster. If your goal is creative freedom, faster turnaround, or a more personal relationship with your audience, self-publishing offers that autonomy. Both require work. Neither offers shortcuts.
Publishing, in any form, remains a partnership between conviction and discipline. Whether you share royalties or keep them all, whether your logo is corporate or your own, the work still demands faith in your message and endurance in your craft.
When Lois and I wrote The Power of Authors, we saw how many writers struggled not with writing but with believing their voice mattered. Choosing how to publish is an extension of that same belief. Traditional or self-published, what endures is not the imprint on your book’s spine but the integrity within your story.
So don’t ask which path is better—ask which one fits your purpose. Ask which one allows you to write with moral conviction, to reach readers without losing your voice along the way. The right choice is the one that lets your book do what it was born to do: speak truth, stir hearts, and stand the test of time.
These reflections come from The Power of Authors: A Rallying Cry for Today’s Writers to Recognize Their Power, Rise to Their Calling, and Write with Moral Conviction. The book is available now on Amazon: http://bit.ly/3K6o8AM.
If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
Next week, we’ll look at how authors can protect their work—legally, ethically, and creatively—while keeping their focus where it belongs: on writing stories worth remembering.

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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