The question is not Page or Profile. The question is: where on Facebook do your readers expect to find you?
You will hear this advice: create a Facebook Page for your book.
It is not wrong. But it is no longer the only answer — and for some authors, it may not be the best one. Facebook has changed considerably, and an author choosing where to build a presence in 2026 has options the old advice does not cover.
Before setting up anything new, ask three questions.
Where Are Your Readers Already Finding You?
If readers are already finding you through your personal profile — if friends, family, and community members are the core of your audience — you may not need a separate Page at all.
Facebook now offers Professional Mode for personal profiles. Turning it on adds public followers, analytics, and creator tools directly to the profile you already have. Anyone can follow you without sending a friend request. You keep your friends, your posts, and your name. Facebook adds a professional layer on top.
For many authors — especially those whose readers come from their existing community rather than a national audience — Professional Mode may be the simplest and most effective choice. The readers are already there. The profile is already active.
Do You Need a Distinct Professional Presence?
A Facebook Page is a separate professional address. Anyone can follow it. It appears in search results. It displays the book, the bio, the website link, events, and contact information. It provides analytics and is the place where paid promotions run.
A Page makes sense when the author wants a public presence entirely separate from the personal profile — a storefront distinct from the home. It is especially useful for authors building a presence beyond their personal community, because the Page can be linked from the website, included in the media kit, and shared without exposing the personal profile.
But a Page built and left empty is worse than no Page at all. If an author creates a Page because someone said authors are supposed to have one, posts to it for a month, and then stops, the Page becomes an outdated picture of the author.
Build a Page only if you intend to keep it current. The standard from campaign 131 applies: accurate, present, and recognizable.
Is There Something for Readers to Gather Around?
A Facebook Group is a community space — a place where readers talk to each other, not just to the author.
But a Group should not exist so the author has another place to promote the book. A Group should exist because the people in it have a reason to talk even when the author is not in the room.
Alaska history. Wildlife photography. Mystery fiction. Homesteading. Military memoir. Grief and recovery. If the book’s subject connects to a community of shared interest, a Group gives the readers a table to gather around. The author’s role is host, not advertiser.
If there is no natural community around the book’s subject — if the Group would be a space for one author talking to a handful of followers — skip it. Not every book needs a Group. Every book needs a findable author.
The Principle Underneath
Facebook offers authors three kinds of space. The profile is the person. The Page is the sign on the house. The Group is the gathering around the table. Each serves a different purpose. Not every author needs all three.
The platform will change again. It always does. What will not change is the principle: go where your readers are, give them a reason to stay, and make it easy for them to find you when they come looking.
If this idea resonates with you, you will find the same philosophy throughout The Power of Authors by Evan and Lois Swensen, where reaching the reader always begins with understanding where the reader already is.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
She was a conservatory student — the kind of student who doesn’t just play but feels music as something larger than technique. Then a relationship ended badly. A choice was made young. She became Livia Cable instead, living quietly in farm country, having traded the conservatory for stability and the passion for something more manageable.
For every post asking readers to buy the book, share three giving them a reason to stay.
When I first met Weston Fields, he looked every bit the Kodiak fisherman — rubber boots, suspenders, wool shirt. He was there to support his mother, who had written a book about ranching history on the island. She spoke first. He said almost nothing. When he finally did, it was to tell me — gently — he had already edited her manuscript.
It is the summer of 1951. London is still pockmarked with bomb sites. Food is still rationed. Men who survived the Burma Railway, the North Atlantic convoys, the firebombing of cities have come home to a country worn to nothing by six years of war and five more of austerity. The war ended in 1945. The damage did not.
Robin Barefield lives in the wilderness on Kodiak Island, where she and her husband own a remote lodge. She wrote her first novel, Murder Over Kodiak, powered by a generator, miles from the nearest road. No MFA. No publishing connections. No high-speed internet.
A reader once walked into a bookstore and said, “I’m looking for a mystery set in Alaska.” The bookseller reached for a shelf and handed her a book.
The ceremony is the same every year. The names are the same. The readers change — grown children now where small children once stood, grandchildren where children once stood. The memorial pools fill the footprints of the towers. The water falls continuously.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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