Before the Beginning Disappears
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
Manuela, the daughter, has a request. Could the next book have a beginning, a middle, and an end?
The question is more complicated than it sounds.
Valeria Luiselli’s new novel is called Beginning Middle End. It was published on July 28, 2026, and received extraordinary reviews — TIME called it “inventive” and “piercing.” Kirkus called it an “offbeat migration story as artful as any in Luiselli’s oeuvre.” Publishers Weekly said: “A masterpiece.”
The novel asks three questions Luiselli names plainly: How do stories shape our children’s memories and imagination? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?
The title belongs to Manuela. Beginning middle end. A child’s request for a story she can follow. But also a writer’s confrontation with the hardest fact about family: if you do not write the beginning down, you will arrive one day in the middle with nothing before it.
The narrator’s grandmother worked among ruins. Her mother is forgetting. She has brought her daughter to the place where the old stories might still be in the ground.
Gabriel García Márquez grew up in Aracataca, Colombia, in the house of his maternal grandparents. His grandmother told stories. She told the wildest stories — about ghosts, about rains of yellow butterflies, about a man who ate the earth when he was sad — and she told them without hesitation, in a tone so certain anyone who doubted her was a fool.
He absorbed everything. When he was eight, the family left Aracataca. His grandmother died. The world she had described remained inside him.
Decades later, he wrote One Hundred Years of Solitude. The town of Macondo, the Buendía family, the yellow butterflies, the rain of flowers, the ice — all of it came from his grandmother’s voice. He said:
“The formula was simply that I wrote exactly the way my grandmother used to tell her stories. She told them as if they were absolute truth, as if anyone who doubted them was an idiot.”
She never doubted them. He wrote them down. The novel was published in 1967. His grandmother had been dead for years. But the stories were permanent now. They had found the form they needed to survive.
García Márquez said: “I had to go back to Aracataca to write the beginning.” He drove there with his mother in 1950. When they arrived, the town was ruined, smaller than he remembered. “Suddenly I had a complete vision of the novel,” he said, “from the first line to the last.” His grandmother’s world was disappearing. He wrote it into permanence before it was entirely gone.
Luiselli has taken her daughter to the place where her grandmother’s world still exists in the earth. García Márquez drove back to the town where his grandmother’s world was fading into ruin. Both were writers who understood: the beginning of the story is not in the imagination. It is in the family. And the family is forgetting.
The Power of Authors teaches: writing from genuine purpose means writing for a reader who needs what only you can give them. There is one reader only you can serve — the person who will come after you in your family, who will need the beginning you are carrying right now. The beginning no one else has.
You are someone’s grandchild. You carry stories you did not choose to carry. You received them in kitchens and on porches, in the car on long drives, in the half-awake hours before sleep. You received them from a voice you can still hear if you try.
Write them now. Not as documentary. As story. Tell them the way she told them — as if every word were absolutely true. García Márquez’s grandmother never doubted the stories. Neither should you.
Your mother is not forgetting yet. Your grandmother’s voice is still in you. Write from there. That is the beginning.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
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The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
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Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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New Books
Equal Rights for Go Lights
Equal Rights for Go Lights
By: George Khan
From the fictional town of Cedar Valley, where characters from Quiet Echo continue to respond to real-world events.
It seems these days, everyone’s demanding equal rights for something. There are committees, task forces, and hashtags for every cause under the sun. So I figured it’s time we conservatives joined the movement—just to keep things fair. Today, I’m standing up for the most overlooked minority in America: the Go Light.
That’s right. For too long, we’ve bowed to the tyranny of the Stop Light. Drive through Cedar Valley, and you’ll hear it everywhere: “Turn left at the stop light.” “I caught the stop light again.” Nobody ever says, “Hey, I made it through the go light!”
Why not? The go light works just as long as the stop light. It’s the one pushing us forward, keeping traffic flowing, making sure kids get to school and farmers get to market. But it’s treated like the second-class citizen of the intersection. Red gets the authority. Yellow gets the drama. Go just gets ignored.
If Washington gets wind of this, I can already see what’s coming—some federal “Color Equity Program” with a dozen consultants explaining how we’ve been subconsciously favoring red. We’ll get a Department of Intersectional Justice, complete with sensitivity training for drivers who use the phrase “stop light.” Don’t laugh—it could happen.
Some bureaucrat will announce that calling it a stop light is offensive to go lights everywhere. They’ll issue a 60-page manual with new terms like “Pause Light” and “Motion-Positive Signal.” And just wait until the road paint gets redesigned to avoid triggering red-yellow-green hierarchies.
But here in Cedar Valley, we still believe in plain language and plain sense. Red means stop. Yellow means think. Go means go. Nobody needs a think tank to explain that. And maybe that’s the real point. In a world trying to balance everything equally—even things that don’t need balancing—we’ve forgotten how to appreciate the simple.
The go light doesn’t ask for attention. It just does its job. It’s the color of motion, confidence, and trust. You see it, and you move forward. No fanfare, no fuss, no congressional funding required.
So I say it’s time we give the go light a little respect. Maybe even rename those intersections properly. They’re not “stop light corners”—they’re “go light intersections.” After all, progress isn’t about standing still. It’s about knowing when to move, and having the courage to do it when the light turns go.
This editorial is part of the fictional Cedar Valley News series. While the people and town are fictional, the national events they reflect on are real.
It’s free, live, and fresh! Quiet Echo—A Cedar Valley News Podcast is live on Apple Podcasts: https://bit.ly/4nV8XsE, Spotify: https://bit.ly/4hdNHfX, YouTube: https://bit.ly/48Zfu1g , and Podcastle: https://bit.ly/4pYRstE. Every day, you can hear Cedar Valley’s editorials read aloud by the voices you’ve come to know—warm, steady, and rooted in the values we share. Step into the rhythm of our town, one short reflection at a time. Wherever you listen, you’ll feel right at home. Presented by the Readers and Writers Book Club: https://bit.ly/3KLTyg4
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