The Oldest and the Youngest
On July 28, 2026, the judges of the Booker Prize announced the 13 novels longlisted for the year’s award. The chair of the panel, classicist and writer Mary Beard, described what the judges had found in their reading: “Books are not mirrors: they don’t simply reflect ourselves back to us.”
The 13 books on the list came from writers representing seven nationalities across three continents. They were chosen from 163 novels published in English in the United Kingdom and Ireland between October 2025 and September 2026. The judges noted the range of what they had found: funny and unsettling, dystopian fantasy and domestic drama, gritty and magically mysterious.
But one detail stood apart from all the others. The list contained a debut novel by a 28-year-old and the 13th novel by an 81-year-old.
The 81-year-old is M. John Harrison. His novel is called The End of Everything. Harrison has published fiction, essays, and criticism since 1971 — fifty-five years. He has written science fiction, fantasy, and literary fiction. He has won the Goldsmiths Prize, the Tiptree Award, and the British Fantasy Award, among others. He has been called “one of the greatest living British writers” by critics who have followed his work for decades.
If he wins the Booker Prize in November, he would be the oldest winner in the prize’s history — older than Margaret Atwood when she won for The Testaments at 79.
He has been writing for fifty-five years. He is still writing. The shortlist will be announced on September 22.
Harriet Doerr spent the first decades of her adult life raising children, managing a household, and supporting her husband Albert’s copper mining enterprise in a small village in Guanajuato, Mexico. She had studied at Stanford before her marriage but never finished her degree. She was a reader, always, but the writing waited.
Albert died in 1972. She was in her mid-fifties. In 1977, at age sixty, she went back to Stanford and finished her undergraduate degree. She continued as a graduate student in the creative writing program. Her teachers included writers who were decades younger than she was.
She wrote about Mexico — the village, the mine, the landscape, the people she had come to know in the years she spent there. She wrote what she knew from the inside.
At seventy-three, she published her first novel. Stones for Ibarra (1984) tells the story of Sara and Richard Everton, an American couple who move to a Mexican village to restore a copper mine. It won the National Book Award for Fiction. It was reviewed across the country. It was read widely. It found the readers it was written for.
She wrote nine more books over the following two decades. She gave readings, spoke at universities, corresponded with other writers. She died in 2002 at the age of ninety-two.
She published her first book at seventy-three and her last in her late eighties. Twenty years of published writing — after a lifetime of preparation.
Harrison has been writing for fifty-five years and hasn’t stopped. Doerr published her first novel at seventy-three and wrote for twenty more years after. Between them, they describe the whole span of the writing life: beginning to end, early to late, first book to thirteenth book.
The Booker Prize longlist has never before placed a debut by a 28-year-old beside a 13th novel by an 81-year-old on the same announcement. The judges did not plan it this way. They simply chose the best work. The range was what the work required.
The Power of Authors teaches: writing is not a career stage. It is not something you do in the years between youth and middle age, then leave behind. It is the practice of someone who has something to say and the commitment to say it precisely. That practice begins when you begin. It ends when you stop.
You may have been waiting. You may have told yourself the time has not yet come, or has already passed. You may have a story you have carried for years without writing it.
Harriet Doerr carried Mexico inside her for decades. She started at sixty, published at seventy-three, and wrote until she was nearly ninety.
- John Harrison started at twenty-six and is still going at eighty-one.
The writing life does not have a closing date. It has a starting point. Go.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
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He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
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The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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Equal Rights for Go Lights
Equal Rights for Go Lights
By: George Khan
From the fictional town of Cedar Valley, where characters from Quiet Echo continue to respond to real-world events.
It seems these days, everyone’s demanding equal rights for something. There are committees, task forces, and hashtags for every cause under the sun. So I figured it’s time we conservatives joined the movement—just to keep things fair. Today, I’m standing up for the most overlooked minority in America: the Go Light.
That’s right. For too long, we’ve bowed to the tyranny of the Stop Light. Drive through Cedar Valley, and you’ll hear it everywhere: “Turn left at the stop light.” “I caught the stop light again.” Nobody ever says, “Hey, I made it through the go light!”
Why not? The go light works just as long as the stop light. It’s the one pushing us forward, keeping traffic flowing, making sure kids get to school and farmers get to market. But it’s treated like the second-class citizen of the intersection. Red gets the authority. Yellow gets the drama. Go just gets ignored.
If Washington gets wind of this, I can already see what’s coming—some federal “Color Equity Program” with a dozen consultants explaining how we’ve been subconsciously favoring red. We’ll get a Department of Intersectional Justice, complete with sensitivity training for drivers who use the phrase “stop light.” Don’t laugh—it could happen.
Some bureaucrat will announce that calling it a stop light is offensive to go lights everywhere. They’ll issue a 60-page manual with new terms like “Pause Light” and “Motion-Positive Signal.” And just wait until the road paint gets redesigned to avoid triggering red-yellow-green hierarchies.
But here in Cedar Valley, we still believe in plain language and plain sense. Red means stop. Yellow means think. Go means go. Nobody needs a think tank to explain that. And maybe that’s the real point. In a world trying to balance everything equally—even things that don’t need balancing—we’ve forgotten how to appreciate the simple.
The go light doesn’t ask for attention. It just does its job. It’s the color of motion, confidence, and trust. You see it, and you move forward. No fanfare, no fuss, no congressional funding required.
So I say it’s time we give the go light a little respect. Maybe even rename those intersections properly. They’re not “stop light corners”—they’re “go light intersections.” After all, progress isn’t about standing still. It’s about knowing when to move, and having the courage to do it when the light turns go.
This editorial is part of the fictional Cedar Valley News series. While the people and town are fictional, the national events they reflect on are real.
It’s free, live, and fresh! Quiet Echo—A Cedar Valley News Podcast is live on Apple Podcasts: https://bit.ly/4nV8XsE, Spotify: https://bit.ly/4hdNHfX, YouTube: https://bit.ly/48Zfu1g , and Podcastle: https://bit.ly/4pYRstE. Every day, you can hear Cedar Valley’s editorials read aloud by the voices you’ve come to know—warm, steady, and rooted in the values we share. Step into the rhythm of our town, one short reflection at a time. Wherever you listen, you’ll feel right at home. Presented by the Readers and Writers Book Club: https://bit.ly/3KLTyg4
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