The story unfolds in a quiet room bathed in the soft glow of a desk lamp. The air is thick with anticipation as if the very walls know the gravity of what is about to be shared. For many writers, the act of writing is akin to breathing—a vital part of their existence, a process that is both deeply personal and profoundly public. The journey from manuscript to published book, however, is fraught with uncertainties, especially in a world where traditional publishing can seem like a distant dream.
This is where the story begins, with a solitary figure sitting at a desk, staring at a screen promising to unravel the mysteries of self-publishing. A webinar titled How to Publish Your Book, On Your Own, Without A Publisher is about to start, offering a lifeline to those who dare to navigate the turbulent waters of independent publishing.
The narrator, a writer who has walked this path before, shares a wealth of experience. The screen flickers to life, and the webinar begins, answering questions that many writers have asked themselves in the dead of night. How does one evaluate the integrity of companies promising to turn dreams into reality? The webinar speaker, with a voice resonating with authority and empathy, guides the audience through the labyrinth of options. The emphasis is clear: due diligence is paramount. Not every company that offers publishing services has the writer’s best interests at heart.
The narrative shifts, exploring the financial realities of publishing. Costs can mount quickly, but the webinar demystifies the numbers. From upfront fees to hidden costs, nothing is left unexplained. For those with limited budgets, the exploration of zero-cost publishing options is a revelation. The speaker details how platforms like Amazon Kindle Direct Publishing (KDP) offer a way to publish without spending a dime, though the trade-offs are discussed candidly.
The discussion then moves to the digital age, where an author’s presence online can make or break their success. The narrator reflects on the importance of having a website—a digital home for one’s work. The associated costs are laid bare, and the decision is framed as an investment in one’s career. Social media, too, is explored with a mix of enthusiasm and caution. Blogs, Facebook pages, and other platforms are tools for amplifying a writer’s voice, but they require time and effort to maintain.
The narrative rhythm builds as the webinar delves into the mechanics of book marketing. The audience is guided through strategies ranging from the traditional to the cutting-edge. The importance of embracing the eBook trend is underscored with statistics and anecdotes that highlight the shift in reader preferences. Listing a book on platforms like Barnes and Noble and Amazon is presented as a crucial step in reaching a global audience.
The narrator pauses, reflecting on the significance of understanding the Library of Congress numbers and ISBNs. These are not just bureaucratic details; they are the keys to entering the world of published works. The narrator recalls the moment when the first ISBN was assigned to their own book—a number symbolizing the culmination of years of effort.
As the webinar nears its conclusion, the focus shifts to the final stages of the publishing journey. The successful launch of a book is not an event but a process, one that requires planning and precision. The narrator shares a memory of their own book launch, a blend of excitement and terror, as they waited to see if their words would resonate with readers.
The final topic is copyright—how to protect one’s work in a world where ideas can be easily stolen. The narrator emphasizes the importance of this step, not just as a legal safeguard but as an affirmation of ownership over one’s creative output.
The webinar ends, but the story does not. The narrator leaves the desk, the glow of the screen fading behind them, but the lessons learned linger. The journey to self-publishing is not for the faint of heart, but it is one that can lead to empowerment and fulfillment. The narrator’s story is a testament to the power of knowledge and the importance of taking control of one’s creative destiny.
This narrative is a call to action for all writers—whether seasoned or just starting out—to take the reins of their publishing journey, armed with the knowledge to turn dreams into reality.
Watch the Webinar Here: (https://youtu.be/SkQy25JCgyc)

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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ReadAlaska 2014
Readerlink and Book Signings
2014 Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
Rick Mystrom Radio Interview
When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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