What You Walk Away From

Livia Bohusz was going to be a pianist.

She was a conservatory student — the kind of student who doesn’t just play but feels music as something larger than technique. Then a relationship ended badly. A choice was made young. She became Livia Cable instead, living quietly in farm country, having traded the conservatory for stability and the passion for something more manageable.

Barbara Kingsolver’s new novel, Partita (HarperCollins, October 6, 2026), opens when an old lover calls, decades later. He wants to see her. What Livia must now face is not just the relationship but the art she left inside it — who she was when she played, and what leaving cost her. Kingsolver calls the book an exploration of ‘the timeless love affair between life and art.’ The novel’s chapter titles are musical terms: Interlude, Fugue, Partita. A partita is a suite of separate movements, each complete on its own, each part of a larger whole. The life, like the music, is built from pieces.

Livia left the piano. The novel asks what she finds when she looks back.

In 1908, Willa Cather became managing editor of McClure’s Magazine — one of the most powerful editorial positions in American journalism.

She had grown up in Nebraska, the daughter of a farm family on the open prairie, and had been writing fiction in the margins of a journalism career for years. McClure’s was important work. The salary was secure. Her colleagues were serious people doing serious things.

She left in 1912.

She walked away from the managing editor’s desk at thirty-eight years old to write novels. She went back to Nebraska — to the landscape she knew before journalism, before New York, before security. The books she wrote afterward are studied in American classrooms more than a century later: O Pioneers!, My Ántonia, Death Comes for the Archbishop. She did not know she would write any of them. She just knew the editorial work, however good, was not the life she was supposed to be living.

She walked toward the writing. She did not look back.

Kingsolver’s Livia made the other choice. She walked away from her art toward the stable life. Partita does not judge her for it. The novel asks something more careful: when she looks back, what does she find? What is still there? What was lost and what, perhaps, was not?

The Power of Authors does not ask you to quit your job and move to Nebraska. It asks something simpler and harder: don’t keep postponing the writing already in you.

Cather left the desk at thirty-eight. You know how old you are. You know what you have been telling yourself. You know the year you meant to start.

Livia left the piano at twenty-something. The novel finds her, decades later, getting a phone call from the past.

The writing will not call you. It will wait, or it won’t. Write it now, while it is still in you to write.

Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.

The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

Leave a Reply

Your email address will not be published. Required fields are marked *

Subscribe to Our Newsletter

Start Your Publishing Journey with Expert Guidance.
Unlock Exclusive Tips, Trends, and Opportunities to Bringing Your Book to Market.

About Us

Kindly contact us if you've written a book, if you're writing a book, if you're thinking about writing a book, we can help!

Social Media

Payment

Publication Consultants Publication Consultants

Copyright 2023 powered by Publication Consultants All Rights Reserved.