Before the Beginning Disappears

The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.

Manuela, the daughter, has a request. Could the next book have a beginning, a middle, and an end?

The question is more complicated than it sounds.

Valeria Luiselli’s new novel is called Beginning Middle End. It was published on July 28, 2026, and received extraordinary reviews — TIME called it “inventive” and “piercing.” Kirkus called it an “offbeat migration story as artful as any in Luiselli’s oeuvre.” Publishers Weekly said: “A masterpiece.”

The novel asks three questions Luiselli names plainly: How do stories shape our children’s memories and imagination? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?

The title belongs to Manuela. Beginning middle end. A child’s request for a story she can follow. But also a writer’s confrontation with the hardest fact about family: if you do not write the beginning down, you will arrive one day in the middle with nothing before it.

The narrator’s grandmother worked among ruins. Her mother is forgetting. She has brought her daughter to the place where the old stories might still be in the ground.

Gabriel García Márquez grew up in Aracataca, Colombia, in the house of his maternal grandparents. His grandmother told stories. She told the wildest stories — about ghosts, about rains of yellow butterflies, about a man who ate the earth when he was sad — and she told them without hesitation, in a tone so certain anyone who doubted her was a fool.

He absorbed everything. When he was eight, the family left Aracataca. His grandmother died. The world she had described remained inside him.

Decades later, he wrote One Hundred Years of Solitude. The town of Macondo, the Buendía family, the yellow butterflies, the rain of flowers, the ice — all of it came from his grandmother’s voice. He said:

“The formula was simply that I wrote exactly the way my grandmother used to tell her stories. She told them as if they were absolute truth, as if anyone who doubted them was an idiot.”

She never doubted them. He wrote them down. The novel was published in 1967. His grandmother had been dead for years. But the stories were permanent now. They had found the form they needed to survive.

García Márquez said: “I had to go back to Aracataca to write the beginning.” He drove there with his mother in 1950. When they arrived, the town was ruined, smaller than he remembered. “Suddenly I had a complete vision of the novel,” he said, “from the first line to the last.” His grandmother’s world was disappearing. He wrote it into permanence before it was entirely gone.

Luiselli has taken her daughter to the place where her grandmother’s world still exists in the earth. García Márquez drove back to the town where his grandmother’s world was fading into ruin. Both were writers who understood: the beginning of the story is not in the imagination. It is in the family. And the family is forgetting.

The Power of Authors teaches: writing from genuine purpose means writing for a reader who needs what only you can give them. There is one reader only you can serve — the person who will come after you in your family, who will need the beginning you are carrying right now. The beginning no one else has.

You are someone’s grandchild. You carry stories you did not choose to carry. You received them in kitchens and on porches, in the car on long drives, in the half-awake hours before sleep. You received them from a voice you can still hear if you try.

Write them now. Not as documentary. As story. Tell them the way she told them — as if every word were absolutely true. García Márquez’s grandmother never doubted the stories. Neither should you.

Your mother is not forgetting yet. Your grandmother’s voice is still in you. Write from there. That is the beginning.

Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.

The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

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