The question hasn’t changed. “What should I read?” The person — or machine — answering it has.
A reader once walked into a bookstore and said, “I’m looking for a mystery set in Alaska.” The bookseller reached for a shelf and handed her a book.
Then readers typed essentially the same words into Google.
Now they can type a complete question into ChatGPT, Claude, Perplexity, or another AI assistant and receive a conversational answer with specific book recommendations.
The question is the same. The scale is different. And the author’s relationship to the answer is worth understanding.
The Experiment
Try something. Open whatever AI assistant you have on your phone or computer. Type a question a reader might ask if they were looking for a book like yours.
“Recommend a mystery set in Alaska.”
“What are the best memoirs about commercial fishing?”
“Suggest a children’s book about wildlife.”
Look at what comes back. Is your book in the answer?
Now look at the books it does recommend. What do they have in common? Ask the AI why it chose them. Ask for sources. Try a different wording. Try a narrower question. Try a broader one.
You are not testing the AI. You are learning how a growing number of readers are now discovering books. And you are seeing, for the first time, whether the information available about your book is sufficient for this new kind of recommendation to find you.
What We Know and What We Don’t
AI assistants with web search capabilities can find and synthesize information from across the internet when answering a reader’s question. They can draw from book descriptions, reviews, author pages, reading lists, and other publicly available sources. Different systems work differently, and even the same assistant may answer from its training data in one situation and search the live web in another.
Nobody can guarantee an AI assistant will recommend your book. The systems are complex, their methods are proprietary, and their results change depending on how the question is asked.
What we can say with confidence is simpler: accurate, public information about your book gives both human readers and web-search-enabled systems something real to find. The work you have already done — claiming your Goodreads profile, maintaining a consistent author bio, keeping your Amazon listing current, building a website connecting you to your subject — serves this new channel the same way it serves every other.
The Three-Week Progression
In campaign 131, you searched your own name and saw what a reader sees. In campaign 132, you searched for yourself on Goodreads and saw what the reading community sees. Now you have asked an AI assistant about the kind of book you wrote and seen what this new discovery channel finds.
Three searches. Three perspectives. Each one reveals something different about how your book exists in the world beyond your own desk.
I wrote in The Power of Authors: “Technology changed the way I publish — but more importantly, it changed who could find the books I produce.” This has been true at every technological shift in my six decades of publishing. The bookstore gave way to online retail. Online retail gave way to social media. Now social media shares the stage with AI assistants answering questions in plain conversation.
The author’s job has not changed. Write something worth reading. Make accurate information about it available where people — and now systems — can find it.
The way readers ask for books is changing. Be curious about it. Test it. And make sure when someone comes looking for information about your book, there is something trustworthy to find.
If this idea resonates with you, you will find the same philosophy throughout The Power of Authors by Evan and Lois Swensen, where every shift in technology is treated as an opportunity to reach the reader who has not found the book yet.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
Robin Barefield lives in the wilderness on Kodiak Island, where she and her husband own a remote lodge. She wrote her first novel, Murder Over Kodiak, powered by a generator, miles from the nearest road. No MFA. No publishing connections. No high-speed internet.
The ceremony is the same every year. The names are the same. The readers change — grown children now where small children once stood, grandchildren where children once stood. The memorial pools fill the footprints of the towers. The water falls continuously.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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