Adelaide Percheron grows up an orphan in Pondicherry, raised by a resourceful grandmother who teaches her the one thing music can do: open the door from one life to another. When her grandmother dies, Adelaide faces the marriage prospects available to a young woman of her circumstances — or she can follow the music north, to Paris and then Moscow, as Napoleon’s armies move across Europe.
She follows the music.
Yiyun Li’s Music Against the Night (Farrar, Straus and Giroux, October 13, 2026) follows Adelaide and John Field across the Romantic era, from Dublin to London to Russia to France. Field is a gifted child from a Dublin musical family who becomes one of the celebrated pianists of his age — playing in the great houses of Russia, known throughout Europe — and along the way he composes a new form of piano piece. Intimate. Introspective. Built for the quiet hours. He calls them nocturnes.
No one had written nocturnes before him. Chopin arrived later, took up the form, and made it famous. Field lived and died with far less recognition than the form he invented deserved. Li traces through both Adelaide and Field the question beneath every artist’s life: what you are willing to give up, and what you are willing to write, when the work demands it.
Emily Dickinson wrote nearly eighteen hundred poems. She published fewer than a dozen in her lifetime — almost all without her name, at least one altered without her consent.
She wrote in her bedroom in Amherst, Massachusetts, on whatever paper came to hand. She wrote to Thomas Wentworth Higginson, a literary critic and editor, asking whether her poems were alive. He advised her not to publish. She thanked him and kept writing. She asked him, in an early letter:
“If I read a book and it makes my whole body so cold no fire can ever warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?”
She was not asking for permission. She was telling him how it worked for her, and she was going to keep writing it whether he answered yes or no.
When she died in 1886, her sister Lavinia found hundreds of poems tied in packets and folded into a chest. Lavinia spent years getting them published. The poems changed American literature. The dashes, the slant rhyme, the compressed ferocity — they became the foundation for generations of poets who came after her.
The Power of Authors points here. John Field did not write nocturnes so Chopin could take them. He wrote nocturnes because the music inside him required that form. He invented the form because he needed it to exist. Chopin arrived later and made the form famous. Field is a footnote in Chopin’s biography now.
He still invented the nocturne.
Emily Dickinson did not write in a bedroom because she was modest. She wrote there because the work wouldn’t let her leave, and the bedroom was where she did it. The recognition did not come. The work went on without it.
Write in the form belonging to what you have to say. Write the quiet piece, the private memoir, the letter-turned-chapter, the story you have been carrying for years — write it in the form asking to hold it. The work does not need permission to matter.
Chopin is who most people know. But every nocturne you have ever heard was built on something John Field made because he had to make it.
Write what you were made to write. Someone is waiting for exactly the form you invented.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
Bill Cox never shouts. He does not chase trends or controversy. His voice — steady, thoughtful, and honest — cuts through noise with clarity and conviction. My Pursuit of the Axis of Evil is about people — a lifetime of encounters across Siberia, Southeast Asia, India, and Alaska. He writes from the road, the sky, and the heart.
Last Thursday, the Swedish Academy announced the Nobel Prize in Literature for 2026.
When Josh Verhagen created Eddie the Ermine, he understood something most authors miss. The illustrations in his book do not decorate the story. They teach. Every page invites interaction. Hidden animals draw young readers deeper into the images. The visual experience is inseparable from the message.
Three years after his wife’s death, Wolo receives a letter.
You will hear this advice: create a Facebook Page for your book.
She was a conservatory student — the kind of student who doesn’t just play but feels music as something larger than technique. Then a relationship ended badly. A choice was made young. She became Livia Cable instead, living quietly in farm country, having traded the conservatory for stability and the passion for something more manageable.
For every post asking readers to buy the book, share three giving them a reason to stay.
When I first met Weston Fields, he looked every bit the Kodiak fisherman — rubber boots, suspenders, wool shirt. He was there to support his mother, who had written a book about ranching history on the island. She spoke first. He said almost nothing. When he finally did, it was to tell me — gently — he had already edited her manuscript.
It is the summer of 1951. London is still pockmarked with bomb sites. Food is still rationed. Men who survived the Burma Railway, the North Atlantic convoys, the firebombing of cities have come home to a country worn to nothing by six years of war and five more of austerity. The war ended in 1945. The damage did not.
Robin Barefield lives in the wilderness on Kodiak Island, where she and her husband own a remote lodge. She wrote her first novel, Murder Over Kodiak, powered by a generator, miles from the nearest road. No MFA. No publishing connections. No high-speed internet.
A reader once walked into a bookstore and said, “I’m looking for a mystery set in Alaska.” The bookseller reached for a shelf and handed her a book.
The ceremony is the same every year. The names are the same. The readers change — grown children now where small children once stood, grandchildren where children once stood. The memorial pools fill the footprints of the towers. The water falls continuously.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



The Lyin Kings: The Wannabe World Leaders
Time and Tide


ReadAlaska 2014
Readerlink and Book Signings
2014 Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
Rick Mystrom Radio Interview
When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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2014 Spirit of Youth Awards
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