The Lions’ Historians

In 1995, a nine-year-old boy named Gaël Faye left Burundi with his family and flew to France as a refugee.

He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.

He became a rapper. He performed under his own name. He built a following and a career in French music. But something from Bujumbura stayed inside him — something the music could not fully reach.

In 2016, he published a novel. Small Country, written in French, tells the story of a boy in Burundi watching the Rwandan genocide from across the border. It is the story Faye lived, written from inside the community it belongs to. The novel sold more than a million copies in France, won the Prix Renaudot des lycéens, and has been translated into more than forty languages.

This month, his second novel arrives in English. Jacaranda is set in Rwanda thirty years after the genocide. It tells the story of the generation born after — children who did not live the events but who inherited the silence, the grief, and the unanswered questions their parents carried. It is published by Hogarth in a translation by Sarah Ardizzone.

Faye was nine years old when his world broke open. He spent decades learning how to write what he saw. He wrote it from inside, because only someone from inside could write it fully.

 

In 1958, a young Nigerian writer named Chinua Achebe published his first novel. He had grown up reading the British colonial literature of Africa — Rider Haggard, John Buchan, Joseph Conrad — and he had noticed something.

The Africans in those books were backdrop. They were atmosphere. They were the darkness against which the European protagonists shone. They were not people with names and histories and interior lives and moral complexity. They were the landscape.

Achebe wrote Things Fall Apart to give the Igbo people of Nigeria their own story, told from inside. He wrote about Okonkwo, a man of the Umuofia clan — his strengths, his fears, his pride, his failures, the world he built and the world colonialism took from him. He gave the story its Igbo roots: the proverbs, the rituals, the specific shape of a specific community’s life. He wrote what the colonial literature could not write, because the colonial literature was looking from outside.

The novel has sold more than twenty million copies and been translated into more than sixty languages. It is one of the most widely read books in the world. Achebe said: “Until the lions have their own historians, the history of the hunt will always glorify the hunter.”

He was the lion. He became the historian. He wrote the account the hunters had left out.

 

Faye was nine years old in Bujumbura in 1994 and 1995. He grew up in France, in a language not his mother’s first language, in a culture not quite his own. He carried a story no one outside his community could fully reach. Small Country is what he wrote when he was ready. Jacaranda is what he wrote when he understood the story was still unfinished.

Achebe looked at the colonial library and saw his people rendered as backdrop. He picked up his pen. He wrote them as the center. Things Fall Apart did not simply add an African perspective to world literature. It changed what world literature could be.

The Power of Authors teaches: the story of a community belongs to the people of the community. Not exclusively — great writers have always crossed into other lives and other worlds. But the story told from inside carries what no outsider can provide: the specific names of specific things, the proverbs used in specific moments, the texture of a life lived from the center rather than observed from the edge.

You come from somewhere. You know a community — a family, a neighborhood, a faith, a region, a people — from inside. Someone has told your community’s story before. They told it from outside. Something was missing.

You know what was missing. Write it in.

Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.

The Power of Authors is available from Amazon or your favorite bookseller. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

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