In 1995, a nine-year-old boy named Gaël Faye left Burundi with his family and flew to France as a refugee.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
He became a rapper. He performed under his own name. He built a following and a career in French music. But something from Bujumbura stayed inside him — something the music could not fully reach.
In 2016, he published a novel. Small Country, written in French, tells the story of a boy in Burundi watching the Rwandan genocide from across the border. It is the story Faye lived, written from inside the community it belongs to. The novel sold more than a million copies in France, won the Prix Renaudot des lycéens, and has been translated into more than forty languages.
This month, his second novel arrives in English. Jacaranda is set in Rwanda thirty years after the genocide. It tells the story of the generation born after — children who did not live the events but who inherited the silence, the grief, and the unanswered questions their parents carried. It is published by Hogarth in a translation by Sarah Ardizzone.
Faye was nine years old when his world broke open. He spent decades learning how to write what he saw. He wrote it from inside, because only someone from inside could write it fully.
In 1958, a young Nigerian writer named Chinua Achebe published his first novel. He had grown up reading the British colonial literature of Africa — Rider Haggard, John Buchan, Joseph Conrad — and he had noticed something.
The Africans in those books were backdrop. They were atmosphere. They were the darkness against which the European protagonists shone. They were not people with names and histories and interior lives and moral complexity. They were the landscape.
Achebe wrote Things Fall Apart to give the Igbo people of Nigeria their own story, told from inside. He wrote about Okonkwo, a man of the Umuofia clan — his strengths, his fears, his pride, his failures, the world he built and the world colonialism took from him. He gave the story its Igbo roots: the proverbs, the rituals, the specific shape of a specific community’s life. He wrote what the colonial literature could not write, because the colonial literature was looking from outside.
The novel has sold more than twenty million copies and been translated into more than sixty languages. It is one of the most widely read books in the world. Achebe said: “Until the lions have their own historians, the history of the hunt will always glorify the hunter.”
He was the lion. He became the historian. He wrote the account the hunters had left out.
Faye was nine years old in Bujumbura in 1994 and 1995. He grew up in France, in a language not his mother’s first language, in a culture not quite his own. He carried a story no one outside his community could fully reach. Small Country is what he wrote when he was ready. Jacaranda is what he wrote when he understood the story was still unfinished.
Achebe looked at the colonial library and saw his people rendered as backdrop. He picked up his pen. He wrote them as the center. Things Fall Apart did not simply add an African perspective to world literature. It changed what world literature could be.
The Power of Authors teaches: the story of a community belongs to the people of the community. Not exclusively — great writers have always crossed into other lives and other worlds. But the story told from inside carries what no outsider can provide: the specific names of specific things, the proverbs used in specific moments, the texture of a life lived from the center rather than observed from the edge.
You come from somewhere. You know a community — a family, a neighborhood, a faith, a region, a people — from inside. Someone has told your community’s story before. They told it from outside. Something was missing.
You know what was missing. Write it in.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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Time and Tide


ReadAlaska 2014
Readerlink and Book Signings
2014 Independent Publisher Book Awards Results

Bonnye Matthews Radio Interview
Rick Mystrom Radio Interview
When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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2014 Spirit of Youth Awards
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