The Oldest and the Youngest

On July 28, 2026, the judges of the Booker Prize announced the 13 novels longlisted for the year’s award. The chair of the panel, classicist and writer Mary Beard, described what the judges had found in their reading: “Books are not mirrors: they don’t simply reflect ourselves back to us.”

The 13 books on the list came from writers representing seven nationalities across three continents. They were chosen from 163 novels published in English in the United Kingdom and Ireland between October 2025 and September 2026. The judges noted the range of what they had found: funny and unsettling, dystopian fantasy and domestic drama, gritty and magically mysterious.

But one detail stood apart from all the others. The list contained a debut novel by a 28-year-old and the 13th novel by an 81-year-old.

The 81-year-old is M. John Harrison. His novel is called The End of Everything. Harrison has published fiction, essays, and criticism since 1971 — fifty-five years. He has written science fiction, fantasy, and literary fiction. He has won the Goldsmiths Prize, the Tiptree Award, and the British Fantasy Award, among others. He has been called “one of the greatest living British writers” by critics who have followed his work for decades.

If he wins the Booker Prize in November, he would be the oldest winner in the prize’s history — older than Margaret Atwood when she won for The Testaments at 79.

He has been writing for fifty-five years. He is still writing. The shortlist will be announced on September 22.

Harriet Doerr spent the first decades of her adult life raising children, managing a household, and supporting her husband Albert’s copper mining enterprise in a small village in Guanajuato, Mexico. She had studied at Stanford before her marriage but never finished her degree. She was a reader, always, but the writing waited.

Albert died in 1972. She was in her mid-fifties. In 1977, at age sixty, she went back to Stanford and finished her undergraduate degree. She continued as a graduate student in the creative writing program. Her teachers included writers who were decades younger than she was.

She wrote about Mexico — the village, the mine, the landscape, the people she had come to know in the years she spent there. She wrote what she knew from the inside.

At seventy-three, she published her first novel. Stones for Ibarra (1984) tells the story of Sara and Richard Everton, an American couple who move to a Mexican village to restore a copper mine. It won the National Book Award for Fiction. It was reviewed across the country. It was read widely. It found the readers it was written for.

She wrote nine more books over the following two decades. She gave readings, spoke at universities, corresponded with other writers. She died in 2002 at the age of ninety-two.

She published her first book at seventy-three and her last in her late eighties. Twenty years of published writing — after a lifetime of preparation.

Harrison has been writing for fifty-five years and hasn’t stopped. Doerr published her first novel at seventy-three and wrote for twenty more years after. Between them, they describe the whole span of the writing life: beginning to end, early to late, first book to thirteenth book.

The Booker Prize longlist has never before placed a debut by a 28-year-old beside a 13th novel by an 81-year-old on the same announcement. The judges did not plan it this way. They simply chose the best work. The range was what the work required.

The Power of Authors teaches: writing is not a career stage. It is not something you do in the years between youth and middle age, then leave behind. It is the practice of someone who has something to say and the commitment to say it precisely. That practice begins when you begin. It ends when you stop.

You may have been waiting. You may have told yourself the time has not yet come, or has already passed. You may have a story you have carried for years without writing it.

Harriet Doerr carried Mexico inside her for decades. She started at sixty, published at seventy-three, and wrote until she was nearly ninety.

  1. John Harrison started at twenty-six and is still going at eighty-one.

The writing life does not have a closing date. It has a starting point. Go.

Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.

The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

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