What Grief Writes

What Grief Writes

Three years after his wife’s death, Wolo receives a letter.

It is from Victoria — the woman driving the car during the accident. She was not at fault. The road was icy. But she has been carrying the weight of it for three years, and she needs, somehow, to meet him.

Imbolo Mbue’s new novel, Every Story Is a Love Story (Random House, October 6, 2026), follows what happens when Wolo answers the letter. His family thinks he has lost his mind. He thinks so too, sometimes. But he goes. And what Mbue traces — through their hesitant, impossible, human meetings — is whether two people broken by the same event can find a way to help repair each other.

The novel asks: what do we owe those who have hurt us without meaning to? And beneath it, a quieter question: are any of us defined by our worst moments?

In July 1960, Joy Davidman died of cancer. She was forty-five.

Her husband, C.S. Lewis, had been one of the most celebrated Christian writers in the English-speaking world. He had written about faith, about joy, about the problem of pain. He thought he understood suffering.

He did not understand grief.

He wrote in notebooks. Not to publish, not to teach, not to make a point. He wrote because writing was the only thing he could do with what was happening inside him. He wrote: “No one ever told me that grief felt so like fear.” He wrote about the anger. He wrote about the silence where God had been — a door shut, the sound of bolting. He wrote his way, over months, from devastation toward a tentative peace.

He published the notebooks in 1961 under the pen name N.W. Clerk. He did not want his name on it. The book was called A Grief Observed. He later found it on a friend’s shelf — the friend had given it to someone in grief without knowing Lewis had written it.

The writing had traveled without him.

Mbue’s Wolo is not a writer. He is a man trying to find his way through an impossible situation. But the novel itself is the act — Mbue writing what she has seen and understood about grief, loss, and the strange grace of unexpected connection. She wrote it so Wolo would not be alone on the page, and so the reader would not be alone either.

The Power of Authors points here. Lewis did not write A Grief Observed to help the bereaved. He wrote it because he was going to break apart if he didn’t. But the writing reached every person who has sat with their own grief and felt, suddenly, less alone.

Write what you cannot survive without saying. Don’t calculate the audience. The audience finds the writing born from need.

Someone is carrying exactly what you are carrying. They are waiting to find the page where they are not alone anymore.

Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.

The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

 

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