Cedar Valley News
Fictorial Number 399 · August 28, 2026
There Is No Such Thing as Silence
By Dan Larson
A calling like mine is a great deal of talking. Meetings, visits, counsel, a word at the pulpit, another at the bedside. And this week, driving home from a long day of it, I did the thing I always do. Before I was even out of the parking lot, my hand went to the radio and switched it on. Noise, to fill the quiet. And for some reason, this once, I caught myself and turned it back off, and I drove the whole way home in silence, and I will be honest with you: for the first few miles, it made me deeply uncomfortable.
When did you last sit in silence? Real silence. Not asleep. Not with a screen glowing in your hand. Not with something playing in the next room. Just still, and quiet, and awake, on purpose, for its own sake.
I ask because I have been thinking about a strange piece of music.
On a summer evening in 1952, in a little wooden concert hall in the woods near Woodstock, New York, a pianist named David Tudor walked out, sat down at the piano, opened his score, and lowered the lid over the keys. And then he did nothing. For 4 minutes and 33 seconds, he sat there and played not one single note. The piece was entire, written by a composer named John Cage. He gave it no name but its own length. Four and a half minutes of a man at a piano, not playing.
The crowd did not know what to do. Some got angry. Some laughed. Some walked out, footsteps echoing down the aisle. They thought they had been handed silence, and they felt cheated.
But here is what Cage was trying to show them, and it is the thing I cannot let go of. There is no such thing as silence. While Tudor sat there, doing nothing, you could hear the wind moving in the trees outside. In the second movement, rain began to patter on the roof. In the third, you could hear the people themselves, breathing, shifting, leaving. The hall was not silent at all. It was full of sound. It had been full the whole time. They had simply never stopped making their own noise long enough to hear it.
Cage had learned this in the strangest way. A year before, he had gone into a special room at a university, a room built to erase every sound on earth. He expected to hear nothing. Instead he heard two sounds, one high and one low, and he asked the engineer what they were. The high sound, he was told, was the noise of his own nervous system. The low one, the sound of his own blood, moving through him. Even in the quietest room ever built by human hands, a living man could not find silence. His own life was simply too loud to allow it.
I find this unbearably beautiful. And I believe it is true of far more than sound.
We are so afraid of the quiet. We fill it, every last scrap of it, with noise and screens and busyness and words, my own hand reaching for the radio before the car is even in gear. And I wonder what it is we are so afraid we will hear, if we ever stop. Because I do not think it is nothing. I think, like Cage in his silent room, we are afraid we will finally hear the things we have been outrunning. The grief we have not sat down with. The question we keep not answering. The still, small thing underneath, which only speaks once everything else goes quiet.
Here is my quiet question for your weekend, and it is a literal one. Go and find yourself 4 minutes and 33 seconds of silence. Sit down inside it. Do not reach for a single thing to fill it. And listen to what your own life sounds like when you finally stop drowning it out.
I think you will find it was never once empty. I think it was quietly full the whole time.
You only have to stop playing long enough to hear it.
Cedar Valley News has a Facebook group. If you have comments and want to join the conversation, you are welcome. But first, if you would, try the quiet question above: find your own 4 minutes and 33 seconds of silence this weekend, and then come and tell us what you heard in it. And if we get something wrong, tell us, and we will run the correction. https://bit.ly/40p8jKy
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This fictorial is part of the fictional Cedar Valley News series, written by Evan Swensen, Publisher, and Claude Marshall, AI Developmental Editor. While Dan and his town are fictional, the history is real. On August 29, 1952, at Maverick Concert Hall near Woodstock, New York, pianist David Tudor premiered 4′33″ by the American composer John Cage, a three-movement work in which the performer plays nothing for four minutes and thirty-three seconds; the piece consists of whatever ambient sound is present. Cage said there is no such thing as silence, a conviction shaped by his 1951 visit to an anechoic chamber at Harvard, where he still heard two sounds, later identified to him as his nervous system and his circulating blood. Sources include the John Cage Trust and contemporary accounts of the premiere.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
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At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
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This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
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Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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