The real work of a book signing doesn’t happen at the table. It happens in the conversation afterward.
The line has ended. The last book has been signed. The store employee is stacking the remaining copies. Most authors start packing up.
Then someone lingers.
They stand a few feet from the table, waiting for the crowd to thin. They hold the book close — not like a purchase, but like something personal. When the space clears, they step forward and say something the author will remember for years.
“This is my story too.”
What the Table Cannot Do
Book signings are performances. The author sits — or stands, if they’ve learned better — behind a table, greets strangers, signs copies, and smiles. The interaction is pleasant but shallow. A name spelled correctly, a brief thank-you, a handshake. The reader moves on. The author greets the next person in line.
This is the public work. It matters. It puts books in hands and faces behind names. But it is not where the real connection happens.
The real connection happens after. In the conversation no one else hears. The reader who stayed behind because the book touched something they weren’t expecting. The stranger who recognized their own experience on a page and needed the author to know.
I’ve published more than five hundred books. I’ve coached authors through hundreds of signings. The authors who understand the value of the conversation after the signing are the ones whose books find lasting audiences. Not because the conversation sells more copies. Because the conversation teaches the author something no sales report ever will.
What the Author Learns
The conversation after the signing tells the author why their book matters. Not in the abstract. Not as a concept. In a specific human life, standing in front of them, telling them what the words did.
A veteran who says the chapter about coming home put language around something he’d been carrying for decades. A daughter who bought the book for her mother and came back to say it opened a conversation they’d never been able to have. A retired teacher who read one passage aloud to her husband at the kitchen table and watched him cry for the first time in forty years. These are not book reviews. These are lives intersecting with words. No author can anticipate them. Every author needs to hear them.
These moments do not appear in royalty statements. They do not show up in Amazon rankings. They are the reason the book exists, and the author would never know it without the conversation.
Every one of these exchanges teaches the author something about their own work they could not have learned alone. The book is doing things the author never intended, reaching places the author never imagined, answering questions the author didn’t know they’d asked. The reader becomes a mirror, showing the author the book’s true shape.
Standing, Not Sitting
This is why I teach authors to stand at their signings. Look the reader in the eye. Only sit to sign the book. Standing changes the dynamic. It says: I am here to meet you, not to receive you. It removes the barrier of the table and puts the author and the reader on equal ground.
A standing author invites conversation. A seated author behind a stack of books invites a transaction. The difference is everything.
When you stand, the reader who lingers doesn’t have to approach a desk. They step toward a person. The conversation starts more naturally. The wall comes down. What follows is honest, human, and unrepeatable.
Authors who dismiss signings as sales events are missing the point. The signing is a stage. The conversation after is the work. It is where the author discovers what the book became once it left their hands — and it is almost always more than they expected.
The next time you do a signing, don’t rush the ending. Stay. Watch for the reader who lingers. They have something to tell you, and what they say may change how you understand your own book. Give them the space to say it. Stand where they can reach you.
The best thing a signing can give you is not a sale. It is a conversation you didn’t see coming.
The Power of Authors by Evan and Lois Swensen explores what it means to write with purpose — and why the most important moments in an author’s life happen not on the page, but in the conversations the page creates.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

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Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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