Authors give endlessly — time, vulnerability, truth. The relationship is not meant to be one-sided.
Authors talk about serving readers. Every writing guide, every conference, every workshop repeats the same message: give the reader value, respect the reader’s time, write for the reader first.
The advice is sound. It is also incomplete.
Nobody talks about what the reader owes the author.
I don’t mean money. The reader paid for the book — or borrowed it, or received it as a gift. The transaction is settled. What remains unsettled is the relationship, and relationships are never one-directional.
What the Author Gives
Consider what the author invested. Months or years of writing. Research, revision, doubt, and the daily discipline of sitting down when the words didn’t come easily. Vulnerability — placing honest thought on a page where strangers can judge it. Financial risk. Emotional risk. The willingness to say something true and stand behind it.
The reader receives all of this in a few hours of reading. The exchange is wildly unequal. The author traded years for the reader’s afternoon.
Most authors accept this imbalance without question. They are grateful for any reader at all. Gratitude is appropriate. But gratitude should not become silence about what readers can do — and should do — to honor the work they’ve received.
What the Reader Can Give Back
The first and most powerful thing a reader can give is honesty. Tell the author what the book meant to you. Not a formal review — just a sentence. An email. A message. “Your book reached me at the right time.” “I gave a copy to my daughter.” “I underlined a sentence on page forty-three and have read it every morning since.” Authors receive these messages so rarely most of them can recall every one they’ve ever gotten. Each one sustains the work for months.
The second thing a reader can give is a review. Not for the author’s ego. For the author’s reach. In today’s publishing landscape, reviews are currency. A book with five reviews is visible. A book with fifty is credible. A book with none is invisible, no matter how good it is. A single honest review — even two or three sentences — does more for an author than most readers realize. It costs the reader five minutes. It gives the author a lifeline.
The third thing a reader can give is a recommendation. Hand the book to someone. Say the words every author lives to hear: “You need to read this.” No algorithm, no advertising campaign, no social media post carries the weight of one person pressing a book into another person’s hands. Word of mouth built publishing before the internet existed, and it remains the most powerful force in publishing today.
I’ve published more than five hundred books. The titles with the longest lives are not the ones with the biggest marketing budgets. They are the ones with readers who took action — who reviewed, recommended, and reached out. Readers who treated the relationship as a partnership, not a performance they watched from the audience.
A Partnership, Not a Performance
This is not about obligation in the heavy sense. No reader owes a debt they didn’t choose. But readers who love books — who depend on them, who build their inner lives around them — have a stake in the survival of the books they value. Authors cannot continue writing in silence. The ecosystem depends on response. A book without response is a conversation with no answer. Eventually, the author stops talking.
Every review is a vote for the book’s survival. Every recommendation extends its reach. Every honest message to the author renews the conviction to keep writing. Readers who understand this become something more than consumers. They become partners in the work.
If a book changed something in you — even slightly, even quietly — the author deserves to know. Not because they need praise. Because the relationship between author and reader is the oldest partnership in the written word, and partnerships require both sides to show up. The author showed up when they wrote the book. Now it’s the reader’s turn.
You finished the book. Now do the one thing the author cannot do alone.
Tell someone.
The Power of Authors by Evan and Lois Swensen explores what it means to write with purpose — and why the author-reader relationship is a partnership worth honoring on both sides.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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