Before the Beginning Disappears
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
Manuela, the daughter, has a request. Could the next book have a beginning, a middle, and an end?
The question is more complicated than it sounds.
Valeria Luiselli’s new novel is called Beginning Middle End. It was published on July 28, 2026, and received extraordinary reviews — TIME called it “inventive” and “piercing.” Kirkus called it an “offbeat migration story as artful as any in Luiselli’s oeuvre.” Publishers Weekly said: “A masterpiece.”
The novel asks three questions Luiselli names plainly: How do stories shape our children’s memories and imagination? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?
The title belongs to Manuela. Beginning middle end. A child’s request for a story she can follow. But also a writer’s confrontation with the hardest fact about family: if you do not write the beginning down, you will arrive one day in the middle with nothing before it.
The narrator’s grandmother worked among ruins. Her mother is forgetting. She has brought her daughter to the place where the old stories might still be in the ground.
Gabriel García Márquez grew up in Aracataca, Colombia, in the house of his maternal grandparents. His grandmother told stories. She told the wildest stories — about ghosts, about rains of yellow butterflies, about a man who ate the earth when he was sad — and she told them without hesitation, in a tone so certain anyone who doubted her was a fool.
He absorbed everything. When he was eight, the family left Aracataca. His grandmother died. The world she had described remained inside him.
Decades later, he wrote One Hundred Years of Solitude. The town of Macondo, the Buendía family, the yellow butterflies, the rain of flowers, the ice — all of it came from his grandmother’s voice. He said:
“The formula was simply that I wrote exactly the way my grandmother used to tell her stories. She told them as if they were absolute truth, as if anyone who doubted them was an idiot.”
She never doubted them. He wrote them down. The novel was published in 1967. His grandmother had been dead for years. But the stories were permanent now. They had found the form they needed to survive.
García Márquez said: “I had to go back to Aracataca to write the beginning.” He drove there with his mother in 1950. When they arrived, the town was ruined, smaller than he remembered. “Suddenly I had a complete vision of the novel,” he said, “from the first line to the last.” His grandmother’s world was disappearing. He wrote it into permanence before it was entirely gone.
Luiselli has taken her daughter to the place where her grandmother’s world still exists in the earth. García Márquez drove back to the town where his grandmother’s world was fading into ruin. Both were writers who understood: the beginning of the story is not in the imagination. It is in the family. And the family is forgetting.
The Power of Authors teaches: writing from genuine purpose means writing for a reader who needs what only you can give them. There is one reader only you can serve — the person who will come after you in your family, who will need the beginning you are carrying right now. The beginning no one else has.
You are someone’s grandchild. You carry stories you did not choose to carry. You received them in kitchens and on porches, in the car on long drives, in the half-awake hours before sleep. You received them from a voice you can still hear if you try.
Write them now. Not as documentary. As story. Tell them the way she told them — as if every word were absolutely true. García Márquez’s grandmother never doubted the stories. Neither should you.
Your mother is not forgetting yet. Your grandmother’s voice is still in you. Write from there. That is the beginning.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
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The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
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Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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ReadAlaska 2014
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2014 Independent Publisher Book Awards Results

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When he published those overseas blogs as the book The Innocents Abroad, it would become a hit. But you couldn’t find it in bookstores.
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The Column Nobody Finished
Cedar Valley News — February 24, 2026
The Column Nobody Finished
By: George Khan
From the fictional town of Cedar Valley, where characters from Quiet Echo continue to respond to real-world events.
Read those two sentences again. The writing meant to connect a newspaper to its community was driving the community away.
The editors wrote it down in a memo: “Readers don’t want us to tell them how to think. They don’t believe we have the expertise to tell anyone what to think on most issues. They perceive us as having a biased agenda.”
The Des Moines Register cut its opinion pages to two days a week. Other Gannett papers dropped syndicated columns, eliminated editorial cartoons, and stopped endorsing candidates in federal races. An entire chain of American newspapers looked at the opinion page and decided it was broken beyond repair.
I fix broken things for a living. When a machine stops working, I do not throw it away. I open it up and find out why.
The opinion page did not break because people stopped caring about opinions. People care more than ever. Social media proved it. Everybody has something to say. The opinion page broke because the people writing it forgot to ask three questions before they started.
Why am I writing this? For whom? To what end?
I learned those questions from a book called The Power of Authors by Evan Swensen and Lois Swensen. The book is not about opinion columns. It is about writing with purpose — any writing, for any audience, in any form. But the principle fits an opinion page the way a carburetor fits an engine. Without it, nothing runs.
Here is what happens when a columnist skips those three questions. The piece opens with outrage. It assumes the reader already agrees. It builds no argument because it believes the conclusion is obvious. It acknowledges no other side because the other side is the enemy. It offers no solution because the point was never to solve anything. The point was to perform.
The reader finishes — if the reader finishes — feeling either validated or insulted. Neither one changed. Nobody moved. The writer spent eight hundred words and left the world exactly where it was.
Now watch what changes when the writer stops and answers those three questions first.
Why am I writing this? Not because I am angry. Because a nine-year-old is scrolling Instagram at midnight, and nobody at the company asked why. Because a young man nobody had heard of showed up at a gate with a shotgun and is now dead on the ground. The why has to be specific. One sentence. If you cannot say it in one sentence, you are not ready.
For whom? Not for everyone. For the mother checking her daughter’s phone at the kitchen table. For the neighbor who watches the headlines and feels something is wrong but cannot name it. Name one reader. Write to the person, not the crowd.
To what end? Not agreement. If the answer is “agree with me,” start over. The end is a question the reader carries into tomorrow. A conversation the reader starts instead of avoiding.
Answer those three questions honestly, and the piece changes shape before the first sentence is written. Outrage becomes evidence. Assumptions become arguments. The enemy becomes a fellow citizen who sees it differently and deserves to know why. The performance becomes a conversation.
The Des Moines Register’s opinion editor said his readers were tired of content aimed at “stoking divisions rather than offering solutions.” He is right. But the solution is not fewer opinion pages. The solution is better purpose behind the ones we publish.
Teresa said it yesterday. The hand holding the tool decides what gets built. A column is a tool. With purpose, it builds understanding. Without purpose, it just makes noise.
Lars Olson told me he can tell in thirty seconds whether a customer came in to fix something or to complain. The ones who came to fix walk straight to the aisle. The ones who came to complain stand at the counter and talk. Both are welcome. Only one leaves with the problem solved.
A good column walks straight to the aisle.
I am not a writer by trade. I fix engines. But I read the opinion page every morning with my coffee, and I can tell you the moment a columnist loses me. It is not when I disagree. I can read someone I disagree with all day if the argument is honest. I lose interest when the writer has no purpose beyond being right. When the column could have been written by anyone, about anything, on any day.
Cedar Valley’s opinion page works differently. Not because we are smarter. Because we ask three questions before we write. Every time. No exceptions.
Why am I writing this? For whom? To what end?
Try it. The next email you send. The next post you write. The next letter to the editor you draft at the kitchen table. Three questions. If you cannot answer all three in one sentence each, you are not ready to write.
And if you can, you will write something worth finishing.
This editorial is part of the fictional Cedar Valley News series. While the people and town are fictional, the national events they reflect on are real.
Want to know the full story behind Cedar Valley? Teresa, Caleb, Dan, and the community you’ve come to know in these editorials first came together in Quiet Echo. Discover how a small town found its way from fear to fellowship—one quiet act of courage at a time. Available on Amazon: https://bit.ly/3ME4nSs
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