The Oldest and the Youngest
On July 28, 2026, the judges of the Booker Prize announced the 13 novels longlisted for the year’s award. The chair of the panel, classicist and writer Mary Beard, described what the judges had found in their reading: “Books are not mirrors: they don’t simply reflect ourselves back to us.”
The 13 books on the list came from writers representing seven nationalities across three continents. They were chosen from 163 novels published in English in the United Kingdom and Ireland between October 2025 and September 2026. The judges noted the range of what they had found: funny and unsettling, dystopian fantasy and domestic drama, gritty and magically mysterious.
But one detail stood apart from all the others. The list contained a debut novel by a 28-year-old and the 13th novel by an 81-year-old.
The 81-year-old is M. John Harrison. His novel is called The End of Everything. Harrison has published fiction, essays, and criticism since 1971 — fifty-five years. He has written science fiction, fantasy, and literary fiction. He has won the Goldsmiths Prize, the Tiptree Award, and the British Fantasy Award, among others. He has been called “one of the greatest living British writers” by critics who have followed his work for decades.
If he wins the Booker Prize in November, he would be the oldest winner in the prize’s history — older than Margaret Atwood when she won for The Testaments at 79.
He has been writing for fifty-five years. He is still writing. The shortlist will be announced on September 22.
Harriet Doerr spent the first decades of her adult life raising children, managing a household, and supporting her husband Albert’s copper mining enterprise in a small village in Guanajuato, Mexico. She had studied at Stanford before her marriage but never finished her degree. She was a reader, always, but the writing waited.
Albert died in 1972. She was in her mid-fifties. In 1977, at age sixty, she went back to Stanford and finished her undergraduate degree. She continued as a graduate student in the creative writing program. Her teachers included writers who were decades younger than she was.
She wrote about Mexico — the village, the mine, the landscape, the people she had come to know in the years she spent there. She wrote what she knew from the inside.
At seventy-three, she published her first novel. Stones for Ibarra (1984) tells the story of Sara and Richard Everton, an American couple who move to a Mexican village to restore a copper mine. It won the National Book Award for Fiction. It was reviewed across the country. It was read widely. It found the readers it was written for.
She wrote nine more books over the following two decades. She gave readings, spoke at universities, corresponded with other writers. She died in 2002 at the age of ninety-two.
She published her first book at seventy-three and her last in her late eighties. Twenty years of published writing — after a lifetime of preparation.
Harrison has been writing for fifty-five years and hasn’t stopped. Doerr published her first novel at seventy-three and wrote for twenty more years after. Between them, they describe the whole span of the writing life: beginning to end, early to late, first book to thirteenth book.
The Booker Prize longlist has never before placed a debut by a 28-year-old beside a 13th novel by an 81-year-old on the same announcement. The judges did not plan it this way. They simply chose the best work. The range was what the work required.
The Power of Authors teaches: writing is not a career stage. It is not something you do in the years between youth and middle age, then leave behind. It is the practice of someone who has something to say and the commitment to say it precisely. That practice begins when you begin. It ends when you stop.
You may have been waiting. You may have told yourself the time has not yet come, or has already passed. You may have a story you have carried for years without writing it.
Harriet Doerr carried Mexico inside her for decades. She started at sixty, published at seventy-three, and wrote until she was nearly ninety.
- John Harrison started at twenty-six and is still going at eighty-one.
The writing life does not have a closing date. It has a starting point. Go.
Discover why purpose is the foundation of every sentence worth writing in The Power of Authors by Evan and Lois Swensen.
The Power of Authors is available from Amazon or your favorite bookseller: https://www.amazon.com/dp/1594338698. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
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He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
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The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
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Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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The Column Nobody Finished
Cedar Valley News — February 24, 2026
The Column Nobody Finished
By: George Khan
From the fictional town of Cedar Valley, where characters from Quiet Echo continue to respond to real-world events.
Read those two sentences again. The writing meant to connect a newspaper to its community was driving the community away.
The editors wrote it down in a memo: “Readers don’t want us to tell them how to think. They don’t believe we have the expertise to tell anyone what to think on most issues. They perceive us as having a biased agenda.”
The Des Moines Register cut its opinion pages to two days a week. Other Gannett papers dropped syndicated columns, eliminated editorial cartoons, and stopped endorsing candidates in federal races. An entire chain of American newspapers looked at the opinion page and decided it was broken beyond repair.
I fix broken things for a living. When a machine stops working, I do not throw it away. I open it up and find out why.
The opinion page did not break because people stopped caring about opinions. People care more than ever. Social media proved it. Everybody has something to say. The opinion page broke because the people writing it forgot to ask three questions before they started.
Why am I writing this? For whom? To what end?
I learned those questions from a book called The Power of Authors by Evan Swensen and Lois Swensen. The book is not about opinion columns. It is about writing with purpose — any writing, for any audience, in any form. But the principle fits an opinion page the way a carburetor fits an engine. Without it, nothing runs.
Here is what happens when a columnist skips those three questions. The piece opens with outrage. It assumes the reader already agrees. It builds no argument because it believes the conclusion is obvious. It acknowledges no other side because the other side is the enemy. It offers no solution because the point was never to solve anything. The point was to perform.
The reader finishes — if the reader finishes — feeling either validated or insulted. Neither one changed. Nobody moved. The writer spent eight hundred words and left the world exactly where it was.
Now watch what changes when the writer stops and answers those three questions first.
Why am I writing this? Not because I am angry. Because a nine-year-old is scrolling Instagram at midnight, and nobody at the company asked why. Because a young man nobody had heard of showed up at a gate with a shotgun and is now dead on the ground. The why has to be specific. One sentence. If you cannot say it in one sentence, you are not ready.
For whom? Not for everyone. For the mother checking her daughter’s phone at the kitchen table. For the neighbor who watches the headlines and feels something is wrong but cannot name it. Name one reader. Write to the person, not the crowd.
To what end? Not agreement. If the answer is “agree with me,” start over. The end is a question the reader carries into tomorrow. A conversation the reader starts instead of avoiding.
Answer those three questions honestly, and the piece changes shape before the first sentence is written. Outrage becomes evidence. Assumptions become arguments. The enemy becomes a fellow citizen who sees it differently and deserves to know why. The performance becomes a conversation.
The Des Moines Register’s opinion editor said his readers were tired of content aimed at “stoking divisions rather than offering solutions.” He is right. But the solution is not fewer opinion pages. The solution is better purpose behind the ones we publish.
Teresa said it yesterday. The hand holding the tool decides what gets built. A column is a tool. With purpose, it builds understanding. Without purpose, it just makes noise.
Lars Olson told me he can tell in thirty seconds whether a customer came in to fix something or to complain. The ones who came to fix walk straight to the aisle. The ones who came to complain stand at the counter and talk. Both are welcome. Only one leaves with the problem solved.
A good column walks straight to the aisle.
I am not a writer by trade. I fix engines. But I read the opinion page every morning with my coffee, and I can tell you the moment a columnist loses me. It is not when I disagree. I can read someone I disagree with all day if the argument is honest. I lose interest when the writer has no purpose beyond being right. When the column could have been written by anyone, about anything, on any day.
Cedar Valley’s opinion page works differently. Not because we are smarter. Because we ask three questions before we write. Every time. No exceptions.
Why am I writing this? For whom? To what end?
Try it. The next email you send. The next post you write. The next letter to the editor you draft at the kitchen table. Three questions. If you cannot answer all three in one sentence each, you are not ready to write.
And if you can, you will write something worth finishing.
This editorial is part of the fictional Cedar Valley News series. While the people and town are fictional, the national events they reflect on are real.
Want to know the full story behind Cedar Valley? Teresa, Caleb, Dan, and the community you’ve come to know in these editorials first came together in Quiet Echo. Discover how a small town found its way from fear to fellowship—one quiet act of courage at a time. Available on Amazon: https://bit.ly/3ME4nSs
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