Somewhere in your house, a manuscript is waiting.
It might be in a desk drawer. It might be in a laptop folder you haven’t opened in months. It might be in a box you packed during your last move and never unpacked. It might exist only as a stack of handwritten pages tucked behind tax returns and old photographs.
You know it’s there. You think about it more often than you’d admit.
The manuscript is finished, or close enough to finished the distance between where it is and where it needs to be is not the problem. The problem is something quieter and harder to name. You stopped believing anyone would want to read it.
I’ve been publishing books for more than forty years. In all this time, the greatest loss in publishing is not the manuscript failing. It is the manuscript never leaving the drawer. The book written with care, finished with effort, and then set aside — not because it wasn’t good enough, but because the author decided on behalf of every future reader it wasn’t worth their time.
The decision is almost always wrong.
Authors are the worst judges of their own work’s value. This is not a flaw. It is a consequence of closeness. You lived with the manuscript for months or years. You know every awkward sentence. You remember every paragraph you rewrote and still aren’t satisfied with. You see the gap between what you imagined and what you produced, and the gap convinces you the book has failed.
The reader sees none of this. The reader sees a story told with honesty by someone who cared enough to write it down. The reader doesn’t know about the earlier drafts or the paragraphs you agonized over. The reader encounters the book fresh, and what feels ordinary to you feels like a gift to them.
I have watched this happen more times than I can count. An author hands me a manuscript, apologizing.
“It’s probably not very good.”
“I don’t know if it’s worth publishing.”
“I almost didn’t bring it.”
Then I read it, and the book carries exactly the kind of truth readers are searching for. The author couldn’t see it because they were standing too close.
The second reason manuscripts stay in drawers is simpler but just as damaging. The author doesn’t know what to do next. They finished the writing and hit a wall. The publishing world feels enormous and confusing — full of terms they don’t understand, paths they can’t see, and decisions they don’t feel equipped to make. So, they wait. The waiting turns into weeks, then months, then years. The manuscript settles into the drawer like something always meant to be there.
Both problems have the same solution. Take the next step. Not every step. Just the next one.
If you don’t believe anyone would care, test the assumption. Let someone read it. Not a family member who will tell you what you want to hear. A reader. Someone who will respond to the work honestly. You may be surprised by what they see in pages you’ve given up on.
If you don’t know how to get it published, start with the Author’s Road Map. It lays out the path from manuscript to published book — every stage, every decision, in plain language. The process is not as complicated as it looks from the outside. It only feels overwhelming because no one has walked you through it yet.
Every published book was once an unpublished manuscript. Every author who holds a finished copy in their hands once stood where you are standing now — unsure, hesitant, wondering if it was worth the trouble. The ones whose books reached readers are not the ones who had more talent or more confidence. They are the ones who opened the drawer.
Your manuscript was not written to sit in the dark. It was written because you had something to say. The writing is done. The hard part is behind you. What remains is the decision to let the book do what you wrote it to do.
Open the drawer. Take it out. Let it breathe.
The reader who needs your book is already looking for it. They just don’t know it exists yet.
The Power of Authors by Evan and Lois Swensen explores what it means to write with purpose — and why the book you’ve already written may be the one someone else has been waiting to read.
The book is available on Amazon: http://bit.ly/3K6o8AM. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.

This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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