Cedar Valley News
Fictorial Number 410 · September 10, 2026
Made to Vanish
By Chloe Papadakis
I am a person who cannot throw things away.
I have, in my closet, a shoebox of my daughter’s artwork from when she was two. Wrinkled paper, dried glue, a little macaroni thing which has lost most of its macaroni. I photograph every event I plan, hundreds of pictures, as though I might lose the whole evening if I did not pin it down. I press a flower from every wedding. When a thing I have built comes out beautiful, my very first feeling, before anything else, is a small dread, because I know it is going to end, and I have never once in my life been any good at letting a beautiful thing end.
So, this one is really for me. But I suspect I am not alone in it.
Let me tell you about the most extraordinary art I know, made by people who are the opposite of me.
Tibetan Buddhist monks make a thing called a sand mandala. It is a design, a great circle, dense with symbols and color, and it is made entirely of sand. Not painted. Placed. The monks lean over a table for days, sometimes two whole weeks, tapping colored sand through little metal funnels, grain by grain by grain, millions of grains, into a pattern so fine and so exact it does not look like it could be the work of human hands. It is one of the most beautiful things people make anywhere on earth.
And when it is finished, they destroy it.
Not by accident. On purpose. As the entire point. After the weeks of labor, in a solemn ceremony, they take up a brush and sweep the whole mandala into a gray heap, and gather the sand into an urn, and carry it to a river, and pour it in. The beauty they spent two weeks building is gone in an afternoon. On purpose. Forever.
The first time I read about this, I felt something very close to grief. All the work. All the beauty. Why would you do such a thing to something you made? And then I read what one of the monks said to a woman watching them take it apart, and it has not left me since. It is beautiful, he told her, gently. But it has to go. And then this. The sweeping, he said, is an antidote to attachment.
They do not make the mandala in spite of the fact it will vanish. They make it because it will vanish. The whole practice, the reason for every single grain, is to build a thing you love with your entire heart, and then, with your own two hands, let it go. To learn, down in the body, the one thing all of us keep refusing to learn. Everything, everything, is temporary. The wedding, the season, the good evening, the mandala, the child at four years old, you, me. All of it is sand. All of it is beautiful. And all of it is already on its way to the river.
I have spent my whole life trying to build a dam. Photographs, shoeboxes, pressed flowers, a frantic clutching at every good thing as it passes, as though if I gripped it hard enough it would stay. It never stays. It has never once stayed. And the gripping does not save the thing anyway. It only means I am too busy holding on to be there while it is happening.
My daughter is four. She will not be four for very long. I cannot keep her at four, not with all the photographs in the world. But I can do the other thing. The harder, better thing. I can set down the camera, and get down on the floor, and be wholly, completely present with the small radiant mandala of her, right now, this afternoon, while she is here.
And then, when it is time, and it will be time, I can open my hand.
Build the beautiful thing. Love it all the way to the ground. And when the day comes, my dears, help sweep it to the river.
It was never yours to keep. It was only ever yours to love.
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Cedar Valley News has a Letters to the Editor page, and I would be glad to hear from you. What beautiful, temporary thing are you gripping too hard, and what might it mean to open your hand? Come and tell us. And if we have gotten something wrong, write and tell us, and we will run the correction.
This fictorial is part of the fictional Cedar Valley News series, written by Evan Swensen, Publisher, and Claude Marshall, AI Developmental Editor. While Chloe and her town are fictional, the practice is real. In the Tibetan Buddhist tradition, monks create sand mandalas, intricate circular designs made from millions of grains of colored sand, applied grain by grain with small metal funnels over days or weeks. On completion, the mandala is ceremonially destroyed in a dissolution ritual: the sand is swept up, gathered into an urn, and released into flowing water. The deliberate destruction is a meditation on impermanence and non-attachment, central Buddhist teachings; the dispersal is understood to spread the work’s blessing. Such mandalas are regularly created and dissolved at museums and universities. Sources include the Minneapolis Institute of Art and accounts of monastic dissolution ceremonies.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
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Costco Book Signings
eBook Cards

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Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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