Cedar Valley News
Fictorial Number 455 · November 2, 2026
Whose Name Is on It
By Teresa Nikas
For most of my working life, a reader could ask three plain questions of anything in print and get an answer. Is the photograph real? Is the name at the top a person? Did the person quoted truly say the words? We had ways to check all three. This year a machine has made all three cheap to fake, and the checks have not kept up. I edit a newspaper, and the ground under the work has shifted while most readers have not been told.
Start with the photograph. When Anak Krakatau erupted in Indonesia in September, a video of the eruption spread around the world — panicked crowds, a wall of red fire. It was not the eruption. Fact-checkers found it machine-made, down to a figure who vanishes between frames, and the hard part for anyone in my trade is who passed it on: news organizations themselves ran the fake as genuine before it was caught. The eruption was real. The footage the world shared was not.
Now the name at the top. This autumn one of the world’s most trusted science journals admitted it had run a piece by someone it could never truly identify — an impostor who, a detection service found, had leaned on AI for the pitch and the draft, publishing under the stolen name of a real journalist with nothing to do with it. Its editor put it as plainly as grief: “We were conned. We trusted this ’person’ and shouldn’t have.” If a journal so careful can be fooled by a byline, a byline is no longer proof of a human being.
Then the quotation, and the source behind it. Researchers this fall invented a scientific-sounding idea, gave it a name, and scattered mentions of it across ordinary web posts. Then they asked the popular AI answer engines about it. Most repeated the invented idea back as established fact, with citations, inside a week. The machines we increasingly ask to tell us what is true will, it turns out, launder what was never true at all.
None of this sits at the harmless edges. The watchdog NewsGuard, which tracks these things, had identified more than 3,700 machine-generated junk-news sites by the middle of this year, up from a few hundred two years before. The counterfeit is not a stray bad actor but an industry, growing faster than anyone can label it.
Detection will help, but it will not save us by itself — it is a race against a machine built to beat detection, and the machine is fast. Provenance is not foolproof either: a byline can be stolen, as these very pages have shown, and a name can be made to lie. But knowing who made a thing, and holding a real person responsible for it, is older than any of this, and it has not worn out. A photograph with a name attached, a reporter who picks up the phone, a correction signed by someone who can be shamed. None of it is glamorous. Together with the checking, it is what still works.
Which brings me to a confession some readers find strange. At the foot of every issue of this paper runs a line telling you it is invented, and who makes it — a publisher, and an artificial intelligence working as his editor. People ask why we broadcast it. Here is why. In a season when anything can be counterfeited, a work willing to tell you what it is, and whose hand is on it, has become the rarest and most trustworthy thing on the page. But the label is only a promise, and a promise is only as good as the work behind it — the checking, the faithful quotation, the correction when we are wrong. Accountability has to begin at home. I am left with two questions now, not one. The old one has not loosened its hold, and the counterfeits have only made it harder to answer: is it true? And beside it, the one this year has taught me to ask of everything: whose name is on it, and will they answer for it?
When did something you trusted turn out to be machine-made, and how did you find out? Write to us. If we have gotten a fact wrong, tell us and we will correct it.
Cedar Valley News is fiction — its columnists and townspeople are invented, including the editor, though the public facts it cites are real and sourced. Written by Evan Swensen, Publisher, with Claude Marshall, AI Developmental Editor. A reflection, not a report.
Sources: BOOM, on the AI-generated Anak Krakatau eruption video and the outlets running it as real; Columbia Journalism Review, on the impostor who published at a leading science journal under a real journalist’s stolen byline; a Fudan University study (arXiv, October 2026), on AI answer engines citing an invented concept; NewsGuard, on its count of AI-generated news sites.
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A few years ago, I met an author at a conference in Anchorage. She had a fine book — a memoir about commercial fishing on Kodiak Island. The writing was strong. The cover was right. The book was selling.
Every conference panel, every marketing article, every social media expert adds another item to the author’s list of things they should be doing. The list grows. The author’s time does not.
She follows the music.
Bill Cox never shouts. He does not chase trends or controversy. His voice — steady, thoughtful, and honest — cuts through noise with clarity and conviction. My Pursuit of the Axis of Evil is about people — a lifetime of encounters across Siberia, Southeast Asia, India, and Alaska. He writes from the road, the sky, and the heart.
Last Thursday, the Swedish Academy announced the Nobel Prize in Literature for 2026.
When Josh Verhagen created Eddie the Ermine, he understood something most authors miss. The illustrations in his book do not decorate the story. They teach. Every page invites interaction. Hidden animals draw young readers deeper into the images. The visual experience is inseparable from the message.
Three years after his wife’s death, Wolo receives a letter.
You will hear this advice: create a Facebook Page for your book.
She was a conservatory student — the kind of student who doesn’t just play but feels music as something larger than technique. Then a relationship ended badly. A choice was made young. She became Livia Cable instead, living quietly in farm country, having traded the conservatory for stability and the passion for something more manageable.
For every post asking readers to buy the book, share three giving them a reason to stay.
When I first met Weston Fields, he looked every bit the Kodiak fisherman — rubber boots, suspenders, wool shirt. He was there to support his mother, who had written a book about ranching history on the island. She spoke first. He said almost nothing. When he finally did, it was to tell me — gently — he had already edited her manuscript.
It is the summer of 1951. London is still pockmarked with bomb sites. Food is still rationed. Men who survived the Burma Railway, the North Atlantic convoys, the firebombing of cities have come home to a country worn to nothing by six years of war and five more of austerity. The war ended in 1945. The damage did not.
Robin Barefield lives in the wilderness on Kodiak Island, where she and her husband own a remote lodge. She wrote her first novel, Murder Over Kodiak, powered by a generator, miles from the nearest road. No MFA. No publishing connections. No high-speed internet.
A reader once walked into a bookstore and said, “I’m looking for a mystery set in Alaska.” The bookseller reached for a shelf and handed her a book.
The ceremony is the same every year. The names are the same. The readers change — grown children now where small children once stood, grandchildren where children once stood. The memorial pools fill the footprints of the towers. The water falls continuously.
Open a browser you do not normally use. Type your name. Hit search.
He had grown up in Bujumbura, the capital — the son of a French father and a Rwandan Tutsi mother. In 1994, the genocide in neighboring Rwanda killed between 500,000 and 800,000 people in one hundred days. Civil war followed in Burundi. His family left. He grew up in France.
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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