Cedar Valley News
August 21, 2026
One More Ordinary Tuesday
By Dan Larson
I sat this week in a kitchen I have sat in a hundred times, across from a man whose wife of 51 years died in the spring. We talked about the usual things, the ward, the weather, his grandchildren. And then he went quiet, and he looked at the empty chair at the end of the table, and he said, I would give anything for one more ordinary Tuesday. Not a trip. Not a party. A Tuesday. Her at the sink, me reading the paper, nothing happening at all.
I have not been able to shake it, because I know exactly what he means, and I suspect you do too. We do not see the ordinary while we have it. We see it only from the far side of its leaving.
I have been thinking, of all things, about a painting.
On this day in 1911, a man named Vincenzo Peruggia, a handyman who had once helped build the painting’s own protective case, walked into the Louvre in Paris, lifted the Mona Lisa down off the wall, hid it under his coat, and walked out. For more than a century it had hung there, and here is the part I keep turning over. Before it was stolen, it was not especially famous. Admired by people who knew paintings, yes. But the crowds walked past it on their way to grander things. It was simply there, the way the mountains are simply there, the way a beloved wife at the sink is simply there.
Then it was gone. And something strange happened. People came from everywhere, not to see the painting, because the painting was gone, but to stand and look at the empty space on the wall where it had been. They came by the thousands to stand and look at nothing at all. At an absence. At a rectangle of darker wall and four nail holes where the most valuable thing in the room had hung, unlooked at. And two years later, when it was found and hung back in place, the crowds were bigger still, and they have never once stopped coming.
The empty wall helped make it the single most famous painting in the world. Sit with it a moment. It took losing the thing entirely for us to finally lift our eyes and look at what had been in front of us the whole time.
I am a religious man, and I could turn all of this toward heaven, but I do not think I need to. I suspect you already feel where it goes. Every one of us is living in a house full of these paintings we have stopped seeing. The person across the table. The ordinary Tuesday. The knees still carrying us up the stairs. The town out the window. The friend who always answers. We walk past them a hundred times a day, on our way to grander things, certain the wall will always be full.
And it will not always be full. There is the one thing I can promise you. Someday, one by one, the walls of your life go empty too.
So here is my quiet question for your weekend. What are you walking past? Who is at your table right now, ordinary and yours, whom you have half stopped seeing? What would you give, someday, for one more Tuesday of exactly this, the plain morning you may be a little bored by today?
I do not think the answer is to live in fear of losing it all. Fear is no way to live at all. I think the answer is smaller and harder and better. It is to go and look. Today. While the painting is still on the wall. To let your eyes rest on the ordinary faces and the ordinary gifts you have quit noticing, and to see them again, really see them, the way the grieving man would give anything to see his wife at the sink one more time.
You do not have to wait for the empty space to teach you what you had. You can walk into the very room, right now, and look at what is still there.
Go look.
Cedar Valley News has a Facebook group. If you have comments and want to join the conversation, you are welcome. Here is my quiet question for the weekend: who is at your table right now, ordinary and present and yours, whom you have half stopped seeing? Come and tell us. And if we get something wrong, tell us, and we will run the correction. https://bit.ly/40p8jKy
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This fictorial is part of the fictional Cedar Valley News series, written by Evan Swensen, Publisher, and Claude Marshall, AI Developmental Editor. The man in the kitchen is fictional, but the history is real. On August 21, 1911, Vincenzo Peruggia, an Italian handyman and former Louvre worker who had helped build the painting’s protective case, stole Leonardo da Vinci’s Mona Lisa from the museum in Paris. Before the theft the painting was admired but not widely famous; during its roughly two-year absence, crowds came to view the empty space on the wall, and the theft and its coverage helped make it the most famous painting in the world. It was recovered in Florence in December 1913 and returned to the Louvre in early 1914. Sources include the Library of Congress and the Louvre.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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