What Happens After the Party
The morning after. The folding tables are back in the garage. The leftover food is in the refrigerator. The unsold books are stacked on the dining room table. The banner is rolled up in the corner.
The house is quiet. The excitement is gone. The author sits at the kitchen table and feels a familiar weight settling in — the sense something important just ended.
It didn’t end. It started. And what the author does in the next forty-eight hours will determine whether the release party was a celebration or a launch.
The Morning After
The author opens her laptop before the breakfast dishes are cleared. She pulls up the photographs from last night — the ones her designated photographer took of her standing with each guest, the book between them, both of them smiling. She picks the first photograph, types two sentences beneath it, and sends it.
“It was wonderful to see you last night. Here’s our photo from the signing.”
Not a mass email. A personal note. One guest at a time. By lunch, every person who attended has received their photograph and a thank-you.
Something begins happening she did not plan. Guests share the photographs on social media. Not because she asked. Because people share photographs of themselves. A guest posts the picture with a caption — “Great night at the book launch!” — and her friends see the cover. One of them asks where to buy it. Each shared image carries the book into a network the author has no other way to reach. The release party, which ended twelve hours ago, is now arriving in living rooms across town.
The Week After
She posts the best photographs herself — not all at once, but spaced across three or four days. The author signing books. The room full of guests. The two-minute reading. The table before the first book sold and the table after the last one left. Each post extends the party’s life by another day. A reader who missed the event sees photographs appearing in her feed across the week and thinks: something is happening with this book. The party lasted three hours. The story of the party lasts much longer.
She pulls out the signup sheets from the door and the checkout table. Names and email addresses, written in the handwriting of people who stood in her room, held her book, and chose to stay connected. She enters each address into her mailing list — the same list receiving every future announcement, every signing invitation, every new book. The signup sheet at the party clearly told them what they were joining: the author’s mailing list for book news and events. The consent was given in the room. The relationship continues in the inbox. These are the warmest contacts she will ever have — people who came because they were invited and stayed because the book moved them.
The release party was a three-hour event. The email list makes it permanent.
The Next Event
Before the week is out, she schedules the next event. A public release at a bookstore. A library reading. A speaking engagement at a community group. The specific event matters less than the momentum. An author with nothing on the calendar drifts. An author with the next date circled moves toward it. The release party gave her confidence. The next event gives her direction.
Denny Bache-Wiig wrote Nothing Ventured about her family’s South Pacific voyage after her husband’s death. Sales were modest. But she worked for every one of them. She did not treat the release party as the conclusion. She treated it as the first event in a series — each one reaching new readers, each one building on the last.
The authors whose books find lasting audiences are not the ones who throw the biggest parties. They are the ones who show up the morning after and ask: What is next?
The party was one night. The author is who got up the next morning.
If this idea resonates with you, you will find the same philosophy throughout The Power of Authors by Evan and Lois Swensen, where the launch is never the end of the work — it is the beginning of the practice.
The Power of Authors is available from Amazon or your favorite bookseller: http://evanswensen.com. If you’d like an autographed copy, you can order it here: http://bit.ly/4pgmzjM.
Lee came to the United States from Seoul at age three, with his mother and sister, to join his father, a psychiatrist who had immigrated earlier. He grew up in Westchester County, outside New York City. As a child, he often translated for his Korean-speaking mother. He stood between two languages for her, carrying her words into English and the world’s words back to her.
Monday morning. A bookstore manager sits down with forty-seven unread messages. She has an hour before the store opens. She is deciding which emails deserve her attention and which ones can wait.
The novelist Ella Camposanto has arrived in Sicily with her twelve-year-old daughter, Manuela. They are staying near the ruins where the narrator’s grandmother once worked on an archaeological dig. The summer is full of volcanic rumbles and sudden storms. The narrator’s mother is beginning to forget.
When I was publishing Alaska Outdoors magazine, the head of the journalism department at the University of Alaska sent me a submission. It was so poorly written, I took it for a joke. I answered it as a joke, only to learn the author was serious. He simply had such an inflated self-image; his writing read like a spoof. It was no spoof.
At 8:15 on the morning of August 6, 1945, Kiyoshi Tanimoto was on the outskirts of Hiroshima, unloading a handcart at a house in the suburb of Koi. He was two miles from the city center. He had slept poorly — the overnight air-raid warnings had kept him up — and he had risen early and set out with the cart.
Two books publish on the same Tuesday.
Among the nineteen longlisted novelists this year are writers who have been writing for a long time before this first novel existed.
You check your Amazon page for the first time after your launch team has done its work. The reviews are there. Three in the first week. Your heart lifts. Then you notice the label beneath one of them.
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. Author Campaign Method (ACM) of sales and marketing is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authorpreneurs who are serious about bringing their books to market. ACM is a boon for them.
Release Party
Web Presence
Book Signings
Facebook Profile and Facebook Page
Active Social Media Participation
Ebook Cards
The Great Alaska Book Fair: October 8, 2016


Costco Book Signings
eBook Cards

Benjamin Franklin Award
Jim Misko Book Signing at Barnes and Noble
Cortex is for serious authors and will probably not be of interest to hobbyists. We recorded our Cortex training and information meeting. If you’re a serious author, and did not attend the meeting, and would like to review the training information, kindly let us know. Authors are required to have a Facebook author page to use Cortex.
Correction:
This is Publication Consultants’ motivation for constantly striving to assist authors sell and market their books. ACM is Publication Consultants’ plan to accomplish this so that our authors’ books have a reasonable opportunity for success. We know the difference between motion and direction. ACM is direction! ACM is the process for authors who are serious about bringing their books to market. ACM is a boon for serious authors, but a burden for hobbyist. We don’t recommend ACM for hobbyists.

We’re the only publisher we know of that provides authors with book signing opportunities. Book signing are appropriate for hobbyist and essential for serious authors. To schedule a book signing kindly go to our website, <
We hear authors complain about all the personal stuff on Facebook. Most of these complaints are because the author doesn’t understand the difference difference between a Facebook profile and a Facebook page. Simply put, a profile is for personal things for friends and family; a page is for business. If your book is just a hobby, then it’s fine to have only a Facebook profile and make your posts for friends and family; however, if you’re serious about your writing, and it’s a business with you, or you want it to be business, then you need a Facebook page as an author. It’s simple to tell if it’s a page or a profile. A profile shows how many friends and a page shows how many likes. Here’s a link <> to a straight forward description on how to set up your author Facebook page.



Mosquito Books has a new location in the Anchorage international airport and is available for signings with 21 days notice. Jim Misko had a signing there yesterday. His signing report included these words, “Had the best day ever at the airport . . ..”



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